French fiction -- Translations into English; Short stories, French -- Translations into English
For three days I sat there assiduously at work, before me a little
statuette representing the goddess Pasht with her cat’s head. This
little monument bears an inscription imperfectly deciphered by Monsieur
Grébault I was at work on an adequate interpretation with comments. The
incident at the institute had left a less vivid impression on my mind
than might have been feared. I was not unduly disturbed. To tell the
truth, I had even forgotten it a little, and it required new occurrences
to revive its remembrance.
I had, therefore, leisure during these three days to bring my version
of the inscription and my notes to a satisfactory conclusion. I only
interrupted my archaeological work to read the newspapers, which were
loud in my praise.
Newspapers, absolutely ignorant of all learning, spoke in praise of
that “charming passage” which had concluded my discourse. “It was a
revelation,” they said, “and M. Pigeonneau had prepared a most agreeable
surprise for us.” I do not know why I refer to such trifles, because,
usually I am quite indifferent as to what they say about me in the
newspapers.
I had been already closeted in my study for three days when a ring at
the door-bell startled me. There was something imperious, fantastic, and
strange in the motion communicated to the bell-rope which disturbed me,
and it was with real anxiety that I went myself to open the door. And
whom did I find on the landing? The young American recently so absorbed
at the reading of my treatise. It was Miss Morgan in person.
“Monsieur Pigeonneau?”
“Yes.”
“I recognised you at once, though you are not wearing your beautiful
coat with the embroidery of green palm-leaves. But, please don’t put it
on for my sake. I like you much better in your dressing-gown.”
I led her into my study. She looked curiously at the papyri, the prints,
and odds and ends of all kinds which covered the walls to the ceiling,
and then she looked silently for some time at the goddess Pasht who
stood on my writing-table. Finally she said:
“She is charming.”
“Do you refer to this little monument, Madam? As a matter of fact, it
is distinguished by an exceptional inscription of a sufficiently curious
nature. But may I ask what has procured for me the honour of your
visit?”
“O,” she cried, “I don’t care a fig for its remarkable inscriptions.
There never was a more exquisitely delicate cat-face. Of course you
believe that she is a real goddess, don’t you, Monsieur Pigeonneau?”
I protested against so unworthy a suspicion.
“To believe that would be fetichism.”
Her great green eyes looked at me with surprise.
“Ah, then, you don’t believe in fetichism? I did not think one could
be an archaeologist and yet not believe in fetichism. How can Pasht
interest you if you do not believe that she is a goddess? But never
mind! I came to see you on a matter of great importance, Monsieur
Pigeonneau.”
“Great importance?”
“Yes, about a costume. Look at me.”
“With pleasure.”
Public-domain text, read in full here on John Shaqi.
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