Monsieur Arthur Rhone, a friend of the de Berny family, who used to
visit the son Alexander in the office of the Rue des Marais, often
admired on the mantelpiece a fine bust of Flora, modelled by Marin.
One day the printer said to him: "Do you know how much that bust cost
me? . . . Fifteen thousand francs. I got it from Balzac, who owed me a
great deal of money. Once when I was at his house in Passy, he
exclaimed: 'Since I can't pay you, take what you like from here to
reimburse yourself.'" This work of art, a Louis XVI. gilt-bronze time
piece, with its two candelabra, once also in Balzac's possession, was
part payment of the balance due to the de Berny family, and was
surrendered only in the forties.
The novelist, whose memory was so short in money matters, had a longer
recollection of his moral obligations. In the letter above referred
to, he confessed: "Without her (Madame de Berny) I should have died.
She often divined that I had not eaten for several days (here he was
probably piling on the agony). She provided for everything with
angelic kindness. Her devotion was absolute." It ended only with the
_Dilecta's_ life.
In the _Shagreen Skin_, which embodies some of Balzac's youthful
experiences, Raphael, the hero, was saved from committing suicide,
after ruining himself, by an accident which forms the thread of the
story. Possibly, during the bankruptcy proceedings, there may have
been a fit of despair which urged the insolvent printer to end his own
troubles in the Seine. If so, it was of short duration. A fortnight
after he had quitted the Rue des Marais, the letter he wrote to
General de Pommereul showed him planning out a fresh future.
"At last has happened," he said in it, "what many persons were able to
foresee, and what I myself feared in beginning and courageously
supporting an establishment the magnitude of which was colossal (!!!).
I have been precipitated, not without the previsions of my conscious
mind, from my modest prosperity. . . . For the last month I have been
engaged on an historical work of the highest interest; and I hope
that, in default of a talent altogether problematic with me, my sketch
of national customs will bring me luck. My first thought was for you;
and I resolved to write and ask you to shelter me for two or three
weeks. A camp-bed, a single mattress, a table, if only it is
quadrupedal and not rickety, a chair and a roof are all that I
require."
The General replied: "Your room awaits you. Come quick." And he went.
It was his definite entrance into literature, and his resumption of
the search for wealth withal.
CHAPTER IV
FIRST SUCCESSES AND FAME
Public-domain text, read in full here on John Shaqi.
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