Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
“The carpet was like a camel’s-hair shawl, and seemed a mute reminder
of the poetry of Persia. The furniture was covered with white cashmere
relieved by lilac and black. The clock and candelabras were of gold and
marble. The one table which the boudoir contained was covered with
white cashmere, while all about were jardinières of white and red
roses.”
Behind the semicircle was a secret passage, at one end of which was an
iron cot and at the other a desk; and here it was that Balzac, secure
from intrusion, worked and composed at his ease.
To return, however, to the Widow Durand. In 1838 he wrote to Madame
Hanska, the lady who subsequently became his wife:—
“The Widow Durand is dead. She was killed by the contemptible conduct
of the daily papers, who have betrayed a secret which should have been
sacred to every man of honor.”
After this misfortune Balzac installed himself openly at Les Jardies, a
country house which he had built at Ville d’Avray, and where he was, as
he expressed it, “like the lantern of Demosthenes, and not, as every
one else says, of Diogenes;” but when, a year or two later, he took up
his residence in the Rue Basse, at Passy he surrounded himself with all
his former precautions, instituted a series of countersigns which he
changed weekly, and transformed himself into “Madame Bri....”
When guarded in this way from any intrusion, Balzac would work from
twelve to twenty-one hours a day. His usual hours of sleep were from
six in the evening until midnight. Then he would bathe, don the white
robe of a Dominican friar, poise a black skull cap on his head, and,
under the influence of coffee and by the light of a dozen candles,
would work incessantly till he could work no more.
His work completed, the lion would forsake his den, and for an evening
or two he would be seen in the Loge Infernale at the opera, invariably
carrying a massive cane whose head glittered with jewels, and which
Madame de Girardin was pleased to imagine rendered him invisible at
will;[11] or he would make brief apparitions in the salons of the
literati and nobility, and then, suddenly, without a word of warning,
he would shut himself up as impenetrably as before.
Public-domain text, read in full here on John Shaqi.
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