At the age of eight, Balzac was placed as boarder at the Collége de Vendôme, where, through the compression of his dreamy nature by unaccustomed tasks and rules, he soon lapsed into a careless neglect of his duties, and became, in consequence, one of the most frequently punished pupils in his class. Favored, however, by the tacit connivance of a tutor, he passed most of his time in the library. Science, philosophy, belles-lettres, religion, history, and even dictionaries, he read and inwardly digested, and during the six years that he remained at the school he assimilated the substance of all the books worth reading. This absorption of ideas produced a noteworthy effect. His eye embraced six or eight lines at a time, and his mind appropriated the thought with a velocity equal to his glance; a single word in a phrase often sufficing for a clear understanding of the whole. His memory was like a vise. He remembered not only the ideas which he had acquired in reading, but also those which conversation and reflection had suggested. Words, names, figures, and places he not only recalled at will, but he saw them within himself, brilliant and colored as they were at the moment when he had first perceived them. Mentally fortified by his extensive reading, he wrote at the age of twelve the famous “Traité de la Volonté,” so often mentioned in his later works, but which was confiscated by the regent as the probable cause of his neglect of the regular curriculum, and which Balzac says he doubtless sold for waste paper without recognizing the value of the scientific treasures whose germs were thus wasted in ignorant hands. After this loss, more than terrible to a young imagination, Balzac sought consolation in verse, and wrote a poem on the Incas, commencing: “O Inca! roi infortuné et malheureux!” which, with the exception of his subsequent “Cromwell,” was his sole familiarity with the peplum of the Muse; for, of the four sonnets in the “Illusions Perdues,” the first and second are by Lassaily, the third is by Madame de Girardin, and the fourth by Gautier, while the poem in “Modeste Mignon” was the work of Gérard de Nerval.