Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
But in spite of the derision, insults, and abuse with which the first
representation was received, in spite of the financial and dramatic
shipwreck, after the commotion had subsided and the audience had
dispersed, Balzac, superior to destiny and indifferent to fate, was
found fast asleep and snoring in his box.[18]
In addition to “Vautrin” and “Quinola,” three other plays of Balzac’s
have been produced, namely, “Paméla Giraud,” “La Marâtre,” and “Le
Faiseur” (“Mercadet”), of which the first was performed at the Gaieté
in September, 1843, and enjoyed a moderate success. Concerning the
second, M. Hostein, formerly director of the Théatre-Historique, has
offered some curious information.[19] Balzac, it appears, called upon
him one day, and explained that for some time past he had been thinking
over an historical drama for the Théatre-Historique.
“I shall call it,” he said, “‘Pierre et Catharine,’ Peter the Great and
Catharine of Russia. That, I think, would be an excellent subject.”
“Treated by you, it could not be otherwise. But are you far advanced,
M. de Balzac?”
“It is all here,” Balzac answered, tapping his forehead. “I have but to
write it out, and, if you care to, the first tableau can be rehearsed
the day after to-morrow.”
“Can you give me an idea of this first tableau?” I asked.
“Certainly. We are in a Russian inn. You can see it from here. In this
inn plenty of action: the troops are passing by; soldiers come in,
drink, chat for a moment, and then off again, but everything is done
rapidly. Among the people of the inn is a servant-girl, young, active,
and alert,—pay attention to her: her figure is good; she is not
handsome, but she is peculiarly attractive. The soldiers jest with her;
she smiles at every one, but her admirers are obliged to be careful,
for any familiarity is answered with a slap, which is as good as a blow.
“A soldier enters who is more daring than the others. He is charged
with a particular mission; his time, therefore, is his own. He can
drink at his ease and chat with the servant, if she pleases him; for
that matter, she pleases him at first sight, and she likes the soldier,
too. ‘Here,’ he says, catching hold of her arm, ‘sit down at this table
and drink with me.’
“The soldier takes a seat, and the girl does the same. Noticing,
however, some objection on the part of the innkeeper, he rises angrily,
and strikes the table with his fist. ‘If any one interferes with what I
do, I will burn the whole shanty down.’
Public-domain text, read in full here on John Shaqi.
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