German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
The wife of this obedient husband, Frau Lerch, known throughout all
Ratisbon as "Lerch, the mantuamaker," had told him to keep watch, and
impressed it upon him to let no one, no matter who it might be, enter her
rooms on the ground floor except the cantor knight, as she called Wolf.
Barbara had had little time for reflection as she fled from the Emperor's
envoys, but a clever woman's brain thinks quickly when an important
decision is to be made, and while turning the gray she had decided that
it would be better for her purpose, and the haste connected with it, to
go to Frau Lerch than to her own home.
In the Grieb she was sure of finding admittance at once if she knocked at
Frau Lerch's window, while the cantor house was closed early, and a long
time might pass before the door opened to her. Besides, she did not know
how her father, who could never be depended upon in such matters, would
regard the honour that awaited her; thirdly--and this alone was decisive
--the white dress, which she meant to wear instead of the riding habit,
was at Frau Lerch's, and what good service the skilful, nimble fingers of
her mother's ex-maid could render in this hurried change of garb.
Besides, it had also darted into her mind that the baron might accompany
her to her shabby abode, and that would have seemed like a humiliation.
Why should the court know what indigent circumstances had been the
portion of the artist to whom the Emperor, through no less a personage
than Baron Malfalconnet, sent an "entreaty" for her appearance?
All this had been clear to her in the course of a few seconds, and her
choice had proved fortunate, for the gate of the Grieb was still
unlocked, and the old hostler Kunz, who had been in the service of the
Gravenreuths, the former owners of the Grieb, and had known "Wawerl" from
childhood, was just coming out of the tavern, and willingly agreed to
take the gray back to Peter Schlumperger's stable.
When Barbara entered the huge building a ray of light shone from the
private chapel at the left, dedicated to Saint Dorothea.
This seemed to her like a sign from heaven, and, before knocking at Frau
Lerch's door, she glided into the sanctuary, threw herself upon her knees
before the image of the saint, and besought her to bestow the most
melting sweetness and the deepest influence upon her voice while singing
before his Majesty.
Public-domain text, read in full here on John Shaqi.
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