German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
The gods of Olympus, led by Fame and Fortune, offered their homage to the
Emperor. A youth from the school of poets, attired as the goddess of
Fame, bewailed in well-rhymed verses that for a long time no one had
given her so much to do as the Emperor Charles. His comrade, who,
bearing a cornucopia in his arms, represented Fortune, assured her
companion, in still more bombastic verse, that she should certainly
expect far more from her, the goddess of Fame, in favour of his Majesty.
This would continue until her own end and that of all the Olympians,
because the Emperor Charles himself was an immortal. He had made them
both subject to him. Fortune as well as Fame must obey his sign. But
there was another younger friend of the gods for whom, on account of the
shortness of his life, they had been able to do less, but for whom they
also held in readiness their best and greatest gifts. He, too, would
succeed in rendering them his subjects. While speaking, Fortune pointed
with the cornucopia and Fame with the trumpet to Duke Maurice, and
besought their indulgent lord and master, the Emperor Charles, to be
permitted to show some of their young favourite's possessions, by whose
means he, too, would succeed in retaining them in his service.
Then Pallas Athene appeared with the university city of Leipsic, the
latter laden with all sorts of symbols of knowledge. Next came Plutus,
the god of Wealth, followed by Freiberg miners bearing large specimens of
silver ore in buckets and baskets; and, lastly, Mars, the god of War,
leading by a long chain two camels on which rode captive and fettered
Turks.
During these spectacles, which were followed by other similar ones,
Barbara had been thinking of her own affairs, and gazed more frequently
at her lover and his distinguished guests than at the former.
But the next group interested her more because it seemed to honour the
Emperor's taste for astronomy, of which he had often talked with her.
On a long cart, drawn by powerful stallions, appeared a gigantic
firmament in the shape of a hemisphere, on whose upper surface the sun,
moon, and stars were seen shining in radiant light. The moon passed
through all her changes, the sun and planets moved, and from the dome
echoed songs and lute-playing, which were intended to represent the music
of the spheres. Another chorus was heard from a basket of flowers of
stupendous size. Among the natural and artificial blossoms sat and lay
upon leaves and in the calyxes of the flowers child genii, who flung to
the Emperor beautiful bouquets, and into the laps and at the feet of the
ladies in the tent smaller ones and single flowers.
Barbara, too, did not go with empty hands. The Cupid who had thrown his
to her was the little Maltese Hannibal, who sang with other boys as
"Voices of the Flowers," and later was to take part in the great chorus.
Public-domain text, read in full here on John Shaqi.
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