German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
The wooing notes fell into her defiant soul like sparks on dry brushwood.
She could not help dancing, though it should be her death. Already she
had begun, and with mischievous joy the thought darted through her mind
that now Charles, too, would perceive what anguish lay in the fear of
losing those whom we love.
If this grief brought him back to her, she thought, while eagerly
following the figures of the dance, she would tend him all her life like
a maidservant; if his pride severed the bond between them--that could not
be done, because he loved her--she must bear it. Doubtless the
conviction forced itself upon her superstitious mind that Fate would be
ready to ruin her by the dance, yet she executed what must bring
misfortune upon her; to retreat was no longer possible.
These thoughts darted in wild confusion in a few moments through her
burning brain, and while Maurice swung her around it seemed as if the
music reached her through the roar and thunder of breakers. The words
"Chi la gagliarda vuol imparare" constantly echoed in her ears, mocking,
reckless, urging her to retaliation.
The dancing-master, Bernandelli, whom the Council had summoned from Milan
to the Danube, had taught her and the other young people of Ratisbon the
gagliarde. The sensible teacher, to suit the taste of the German
burghers, had divested the gay dance of its recklessness. But he had
showed his best pupils with how much more freedom the Italians performed
the gagliarde, and Barbara had not forgotten the lesson. Duke Maurice
moved and guided her with the same unfettered ease that the little
maestro had displayed in former days. Willing or not, she was obliged to
follow his lead, and she did so, carried away by the demands of her
excited blood and the pleasure of dancing, so long denied, yet with the
grace and perfect ear for time which were her special characteristics.
Neither the Ratisbon citizens nor Charles, who had been a good dancer
himself, had ever seen the gagliarde danced in this way by either the
gentleman or the lady. A better-matched couple could scarcely be
imagined than the tall, powerful, chivalrous young prince and the
beautiful, superbly formed, golden-haired girl who seemed, as it were,
carried away by the music.
But Charles did not appear to share the pleasure which the sight of this
rare couple and their dancing awakened even in the most envious and
austere of the Ratisbon spectators, for when, in a pause, Barbara, with
sparkling eyes, glanced first into the duke's face and then, with a merry
look of inquiry, at her lover, she found his features no longer distorted
by anger, but disgusted, as though he were witnessing an unpleasant
spectacle.
Nevertheless she danced a short time longer without looking at him, until
suddenly the remembrance of his reproving glance spoiled her pleasure in
this rare enjoyment.
She whispered to the duke that she was satisfied.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account