Barbara Lynn: A Tale of the Dales and Fells.Jenkinson, Emily J.
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Barbara Lynn: A Tale of the Dales and Fells.
Jenkinson, Emily J.
Westmorland (England) -- Fiction
The girl drew the blue and white homespun curtains round the bed, put
out the candle and went away. The wooden soles of her clogs rang with a
measured sound upon the stone stairs and then across the rafters
overhead. After that there was silence save for the chatter of the beck,
running by the door. Its voice had an insistent, familiar tone, as
though it were talking to someone within. No movement came from old
Mistress Lynn. Either she was asleep, or she busied her mind with
thoughts of other days. For a long time the room was in darkness. Then
the turf on the fire slipped, the light leaped forth, and the
four-poster glided out of shadow like a ship in full sail. The curtains
were noiselessly drawn back, and a long, lean hand relit the candle.
Mistress Lynn looked slowly and searchingly about her. She left no dim
corner unscanned, and there were many dim corners in the great kitchen,
for it ran the length of the front part of the house.
It was a low room with a flagged and sanded floor. The walls were
white-washed, making a fine contrast to the beams overhead, and the
doors of the carved oak cupboards, all alike, black with age. Along one
side ran three windows. The hearth was a slab of blue slate, and, as the
chimney flue descended no further into the room than the ceiling, the
fire made a great show on occasions, with its flames and smoke; as
though one end of the house were burning from floor to rafters. A bar of
wood, called the rannel-balk, spanned the fireplace, and from it
depended the rattan-crook, a long hook on which the kettle hung. There
was a carved oak settle in the ingle, and near it a spinning wheel; and
under the windows a narrow but heavy table with all its corners sharp
but one, which was rounded off in a curious manner following the shape
of the solid tree trunk from which it had been made. Against the
opposite wall stood a dresser, holding a varied array of wooden and
pewter platters, piggins for drinking out of, and two or three china
cups. Next to it came the bridewain, and then the great bed. Between the
windows was the door, bound with iron, studded with large nails, and
bolted by two massive iron bolts. Another door at the far end led into a
little passage, which gave access to the wool-barn, cow-house and dairy,
all at the back of the building. In the chimney, curing in the smoke,
hung flitches of bacon and a sheep by the heels. Upon the shelves along
the walls were hammers and lanterns, pattens for horses to wear in snowy
weather, sticks and staves and an old gun. An oak cupboard, with
Mistress Lynn's initials carved upon it, held the oat-cake, and a kist,
near the fire, held meal.
But the principal feature of the place was the four-post bed, with its
curtains of blue and white homespun, so placed that it commanded a full
view of the room. Nothing could happen there unseen by the old woman.
Public-domain text, read in full here on John Shaqi.
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