Had Richard Rebell been standing by his wife, he would doubtless have
seen something slightly absurd, and in any case undignified, in the
sight presented by the low, pale blue victoria, drawn by four white
horses ridden by postillions, two of whom now stood, impassive as
statues, each at one of the leaders' heads. But to Richard Rebell's
little daughter the pretty sight brought with it nothing but pure
delight; and for a few moments she was scarcely aware of the two figures
who sat back on the white leather cushions. And yet one of these
figures, that of the woman, was quite as worthy of attention as the
equipage which served to frame her peculiar and striking beauty, and so
evidently thought the small crowd which had quickly gathered to gaze at
what had been at once recognised as a carriage from the Imperial
stables.
Dowered, perhaps to her own misfortune, with a keen dramatic instinct,
and a rather riotous love of colour, Barbara Sampiero had chosen to
dress, as it were, for the part. Her costume, a deep purple muslin gown,
flounced, as was the fashion that spring, from hem to waist, her
cross-over puffed bodice, and short-frilled sleeves, the broad Leghorn
hat draped with a scarf of old lace fastened down with amethyst bees,
and the pale blue parasol matching exactly in tint the colour of the
carriage in which she was sitting, recalled a splendid tropical flower.
A certain type of feminine beauty has about it a luminous quality; such
was that of Barbara Sampiero, now in full and glowing perfection: some
of its radiance due to the fact that as yet Time--she was not far from
forty--had spared her any trace of his swift passage. The involuntary
homage of those about her proved that she was still as attractive as she
had been as a younger woman; her beauty had become to her an
all-important asset, and she guarded and tended it most jealously.
Her companion was also, though in a very different way, well worthy of
attention. Before stepping out of the carriage he stood up for a
moment, and, as he looked about him with amused and leisurely
curiosity, the spectators at once recognised in him a typical
Englishman of the ruling class. Every detail of his dress, the very
cut of his grizzled hair and carefully trimmed whiskers, aroused the
envy of those Frenchmen among the crowd who judged themselves to be of
much his own age. He had not retained, as had done his contemporary
and one-time friend, Richard Rebell, the figure of his youth, but he
was still a fine, vigorous-looking man, with a bearing full of dignity
and ease.
Public-domain text, read in full here on John Shaqi.
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