When they reached the landing opposite the music gallery, the doctor turned down the wide corridor, and Barbara, with a sudden feeling of surprise, realised that this upper floor had become the real centre,--the heart, as it were,--of Chancton Priory. The great hall, the drawing-room in which she had received Doctor McKirdy's odd confidences, even the dining-room where a huge fire blazed in her honour, had about them a strangely unlived-in and deserted air; but up here were light and brightness, indeed, even some of the modern prettinesses of life,--huge pots of fragrant hothouse flowers, soft rugs under-foot. When opposite to the high door with which the corridor terminated, Doctor McKirdy turned and looked for a moment at his companion; and, as he did so, it seemed to Barbara that he was deliberately smoothing out the deep lines carved by ever-present watchfulness and anxiety on the rugged surface of his face. Then he knocked twice, sharp quick knocks, signal-like in their precision; and, scarcely waiting for an answer, he walked straight through, saying as he did so, "Just wait here a moment--I will make you a sign when to come forward." And then, standing just within the door, and gazing with almost painful eagerness before her, Mrs. Rebell saw as in a vision that which recalled, and to a startling degree, a great Roman lying-in-state to which she had been taken, as a very young girl, during a winter spent by her with her parents in Italy. Between the door and the four curtainless windows, through one of which now gleamed the young October moon, Barbara became aware that on a long narrow couch, placed catafalque fashion, in the centre of the room, an absolutely immobile figure lay stretched out. The light shed from candles set in branching candlesticks about the room threw every detail of the still figure, and especially of the head supported on high pillows, into prominent relief. From the black satin cushion on which rested two upright slippered feet, the gazer's fascinated eyes travelled up--past the purple velvet gown arranged straightly and stiffly from waist to hem, past the cross-over lace shawl which almost wholly concealed the velvet bodice, and so to the still beautiful oval face, and the elaborately dressed, thickly powdered hair. On the mittened hands, stiffly folded together, gleamed a diamond and a ruby. There was present no distortion--the whole figure, only looking unnaturally long, was simply set in trembling immobility. Madame Sampiero--the Barbara Rebell of another day--was still made up for the part she chose to play to the restricted audience which represented the great band of former adorers and friends, some of whom would fain have been about her still had she been willing to admit them to her presence in this, her time of humiliation.