Mrs. Boringdon, sitting in the drawing-room at Chancton Cottage, looked,
in spite of her handsome dress and her manner and appearance of
refinement, strangely unsuited to the place in which she found herself.
Even the Indian tea-table--one of the few pieces of furniture added to
the room by its present occupant, and now laden with substantial silver
tea-pot, cream-jug, and sugar-basin burnished to their highest point of
brilliancy--was out of keeping with its fragile charm. The room, indeed,
had been scarcely altered since it had been furnished, some sixty years
before, as a maiden retreat for one of Madame Sampiero's aunts, the Miss
Lavinia Rebell of whom tradition still lingered in the village, and
whose lover had been killed in the Peninsular War.
On her arrival at Chancton Mrs. Boringdon would have dearly liked to
consign the shabby old furniture, the faded water-colours and colour
prints, to some unhonoured lumber-room of the Priory, but even had such
desecration been otherwise possible, the new mistress of Chancton
Cottage was only too well aware that she lacked the means to make the
old-fashioned house what she would have considered habitable. Indeed,
she had been thankful to learn that the estate agency offered to her son
through the intermediary of his friend, James Berwick, carried with it
the use of a fully furnished house of any sort.
Whenever Mrs. Boringdon felt more than usually dissatisfied and critical
of the furnishings of the rooms where she was fated to spend so much of
her time--for she had no love of the open air--she tried to remind
herself that this phase of her life was only temporary; that soon--her
son thought in two or three years, but Berwick laughed at so prudent a
forecast--the present Government would go out, and then "something" must
surely be found for her clever Oliver.
To-day, her son had brought his friend back to lunch, and the two young
men had stayed on in the dining-room and in the little smoking-room
beyond, talking eagerly the one with the other. As the mother sat in her
drawing-room patiently longing for her cup of tea, but content to wait
Oliver's good pleasure--or rather that of James Berwick--she could hear
the voices rising and falling, and she rejoiced to think of the intimacy
which those sounds betokened.
Public-domain text, read in full here on John Shaqi.
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