Even to-night Mrs. Rebell, coming into the room, had been struck by
the mingled severity and splendour of Madame Sampiero's appearance.
The white velvet gown, the black lace cross-over, and the delicate
tracery of the black coif heightened the beauty of the delicate
features,--intensified the fire in the blue eyes, as a brighter scheme
of colouring had not known how to do.
Léonie--the lean, clever-looking, deft-fingered French maid who had
grown old in the service of her mistress--stood by the couch looking
down at her handiwork with an air of pride: "Madame a voulu faire un
petit bout de toilette pour Monsieur Berwick," she explained
importantly. Poor Barbara was by now rather nervously aware that there
was something about her own appearance to-night which did not please her
godmother. Indeed, sitting there, in this lofty room full of beautiful
and extremely ornate pieces of furniture and rich hangings, she felt
acutely conscious that she was, as it were, out of the picture. Words
were not needed to tell her that, for some mysterious reason, her
godmother wished her to look well before this Mr. James Berwick, who, if
Mrs. Turke was to be believed, seemed to come and go so often at the
Priory, but regarding whom, she, Barbara, felt as yet no interest.
Almost involuntarily she answered the critical expression which rested
on the clear-cut face. "I care so little how I look,--after all what
does it matter?"
But more quickly than usual she realised the significance of the
murmured words, "Nonsense, child, it does matter, very much!" and she
divined the phrase, "A woman should always try to look her best."
Barbara smiled as Léonie joined in with "Une jolie femme doît sa beauté
à elle-même," adding, in response to another of those muffled
questioning murmurs, "Mais oui, Madame, Monsieur Boringdon a dû venir
avec Monsieur Berwick."
Mrs. Rebell looked up rather eagerly; if Oliver Boringdon were to be
there this evening, and if outward appearance were of such consequence
as these kind people, Madame Sampiero and the old Frenchwoman, seemed to
think, then it was a pity that one of the only two people whom she had
wished to impress favourably at Chancton should see her at a
disadvantage.
Again came low murmurs of which the significance entirely escaped
Barbara, but which Léonie had heard and understood: quickly the maid
went across the great room, and in a moment her brown hands had pulled
open a deep drawer in the Buhl wardrobe which had once adorned the bed
chamber of the last Queen of France. Now Léonie was coming back towards
her mistress' couch, towards Barbara, her arms laden with a delicate
foam of old lace.
A few minutes of hard work with a needle and white thread, much eager
chatter of French, and Barbara's thin white silk gown had been
transformed from a straight and, according to the fashion of that day,
shapeless gown, into a beautiful and poetic garment.
Public-domain text, read in full here on John Shaqi.
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