German fiction -- Translations into English; Short stories, German -- Translations into English
"'You mean that I seem to have been brought up for something better
than to make money of my looks. That may be. But this is what things
have come to, and since it is my face that has brought me into trouble,
it must help me out of it--at least so far as it can do creditably.'
"A cloud passed over her eyes; she looked before her even more
steadfastly than her wont, with an expression between anger and sorrow
that rendered her more enchanting than ever. We were silent. Suddenly
she resumed--
"'I really do not know why I should make any mystery about my story.
There is no disgrace in it, and you two gentlemen would only imagine
something far worse. Besides you both look thoroughly good and
trustworthy,' (Van Kuylen gave a short cough) 'and if you were ever to
hear any slander about me I could appeal to you. Babette, dear,'
turning to the little girl, 'go into the garden and make yourself a
very smart wreath of lilac and jasmine--do not gather any tulips. It is
only,' she went on in a low voice as soon as the child had left,
'because there is no need the people I lodge with should know
everything, and that little creature--young as she is--has already very
long ears, and repeats whatever she picks up. Not, indeed, that I need
to be ashamed of my past, but that they would look upon me as crazy if
they knew all its ins and outs, whereas as things stand now, they are
sorry for me, believing that I have only had some common unfortunate
love-affair, and therefore consider myself unworthy that the sun should
shine upon me.'
"She was once more silent, and seemed to have forgotten all about her
intended narration. There was a Sabbath stillness all around; we only
caught through the open door the sound of little Babette's heavy shoes
on the gravel walks, and the twittering of birds in the meadows. Van
Kuylen had risen and gone to a carved cupboard, in which he had a habit
of keeping all sorts of odds and ends; he now brought out of it a
wicker-covered flask of curious shape, filled three small glasses from
it, and presented them on an old china-tray, first to the young girl,
then to me. After we had both declined, he tossed them all three off in
succession, and then sat down before his easel, not painting, but
resting his head on his hand.
"'What surprises me,' said I, breaking silence at length, 'is that I
have never met you before, Miss Kate. Yet I am a pretty constant
lounger in our streets, and not unobservant; indeed, my dear wife
reproves me for looking over-boldly under the bonnets of pretty girls.
You must live like a mole in some underground dwelling, or you never
could have escaped me.'
Public-domain text, read in full here on John Shaqi.
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