German fiction -- Translations into English; Short stories, German -- Translations into English
"'I had only one playfellow that I cared at all for, and for the very
reason that he was rather cross than kind to me; a youth different to
the rest, but neither particularly handsome or lively, and one of the
poorest. His father shipped charcoal up and down the Rhine, and worked
very hard; his mother was a quiet sickly woman, always at home or in
the church, with a sorrowful face that made me feel ashamed of my smart
clothes. Her son, too--he was about five years older than I, and had
often to help his father--would look more crossly than ever out of his
eyes if he met me on a Sunday, when my mother had decked me with all
sorts of colours. He made no remarks, but he always avoided me on those
occasions, and childish as I was, and vain, too, of being the fair
Kate, this never failed to give me a pang. I would contrive to get into
my every-day clothes to creep down about twilight to the banks of the
Rhine where his cottage stood, and I was quite happy if Hans Lutz would
only be good-natured to me and say, "Now you look like a human being
again, and not like a doll." He had a way--silent as he was--of amusing
me better than anybody else, would cut me out little boats of bark that
rode at anchor in a little harbour that he built; he could play me my
favourite airs on a reed-pipe, and it was often night, and I had to be
scolded away before I would consent to part from him.
"'You see already what that was leading to. I could no longer do
without him, although others held him cheap as being inferior to
them all, because he had had the small-pox and went about in the
coarsest and most thread-bare jacket. I almost think there was some
vanity in it. I seemed to myself to be a princess condescending to the
charcoal-burner; then again in my better hours I noticed that I had an
especial respect for him, more indeed than for any other human
creature, and that I never respected myself so much as when he had
given me a kind word.
"'Our years of childish play were nearly over; he was fifteen, I ten,
when a legacy came to his parents, not, indeed, enough to set them up
with carriage and horses, but to make them much more comfortable than
before. The father gave up the charcoal-loading business, and became--I
really do not quite know what--a sort of factor or agent. The eldest
son, my Hans Lutz, was sent off to a school for artisans; he was to be
an engineer, and was indeed made for it. His younger brother, who was
about my own age, remained at home and took to violin playing, in hopes
of gaining admission into the Ducal Chapel; they had a distant cousin
there who played the bassoon.
Public-domain text, read in full here on John Shaqi.
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