Barnum dined with Jenny Lind that afternoon, and she courteously asked
to drink his health. “Miss Lind,” Barnum responded, “I do not think you
can ask any other favor on earth which I would not gladly grant; but
I am a teetotaler, and must beg to be permitted to drink your health
and happiness in a glass of cold water.” She was much astonished that
there should be a man who did not drink European light wines, but she
understood and respected his views.
The crowds continued outside the Irving House all day, and every time a
shadow passed before Jenny Lind’s window, or what the crowd chose as
her window, enthusiastic cheers greeted it. At half-past twelve that
night, the New York Musical Fund Society, which had been preparing
for this occasion for three weeks, began an instrumental serenade.
The musicians were escorted by three hundred firemen in red shirts,
bearing lighted torches. More than 20,000 people watched, listened
and cheered. Broadway was completely blocked, and the three hundred
spluttering torches revealed figures on the roofs, in the neighboring
windows, and hanging to lamp posts and awning frames. Barnum led Jenny
Lind to one of the hotel balconies, after the loud demands for her
presence threatened to drown the music of the serenade. He asked the
musicians to play “Yankee Doodle” and “Hail Columbia,” and Jenny Lind
with admirable tact encored both those songs. The crowd cheered madly,
and she repeatedly waved her handkerchief. At quarter past one the
music was finished, and she tried to go to bed, but the crowd was not
yet ready for bed. George Loder, head of the Musical Fund Society, made
a speech of welcome, which, by common agreement, was much too long.
One of the newspaper correspondents intimated that the serenade and
the speech were offered in the hope that Jenny Lind would return the
compliment by giving a benefit performance for the New York Musical
Fund Society.
The New York correspondent of the _Philadelphia Sunday Dispatch_
reported the following conversation which he gathered in the crowd:
“Sa-ay, Joe, don’t you think Barnum’ll make a lose? Thousand
dollars a night’s a big pile, and singin’ isn’t dancin’; Fanny
Elssler was the gal for _my_ money.”
“Oh, shut up! What the hell do _we_ know about singin’?”
“I’ll go in for her too; but I thought she was one of Barnum’s
hums, for I heered he said he didn’t care if she hadn’t no more
voice than a crow, he knowed we’d all swear she sung like an angel,
if it cost us ten dollars to say we’d heered her. You know the time
he showed the horse with his tail where his head ought to be? Well,
all of them that paid their two shillings was satisfied. Wasn’t
he stood in his stall with his tail in the manger--and didn’t
they tell all the rest to go in and win, for it was a fus’ rate
curiosity, jes so and no mistake?”
Public-domain text, read in full here on John Shaqi.
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