“Well, there ain’t no use of your talkin’, Pete; Barnum knows what
he’s about. Why, s’pose he _did_ lose fifty thousand by her, he’d
more an’ make it up in the Museum. The glory of the thing’s what
_he_ looks at.”
But it did not look as if Barnum would lose his fifty thousand dollars.
The excitement kept up unabated for weeks. The small girl, Julia Knapp,
writing to her cousin Susan in Greenwich, Connecticut, said, “They call
her the New Messiah we will send you a paper all about her, I suppose
you have heard of Dr. Webster he was hung on Friday last.”
Not only the common people besieged Jenny Lind. The Mayor called upon
her at her rooms, and she was visited all day and part of the night by
people who used various claims to distinction as cards of admission
to her private suite. Milliners, tailors and furniture dealers sent
her articles which they had manufactured and named for her; they were
grateful for her autograph in return. Water carafes with her face and
name were sold. Songs and poems were dedicated to her, dances were
named after her, and she conquered the kingdom of man when a cigar
was called the Jenny Lind. Crowds gathered outside the hotel to watch
her enter or leave. Society called in large contingents, and Barnum
was fearful that the _haut ton_ of Bleecker Street would monopolize
his prize and thus make her repugnant to the masses, for he realized
that he was not in England with General Tom Thumb. But her reputation
for kindness and simplicity won the admiration of the people, and
shopkeepers continued to send gloves, hats, shawls, chairs and gowns.
On the day after her arrival in New York all the morning newspapers
devoted their first pages to the prima donna. The _New York Tribune_
printed four columns on the first page concerning her reception, and a
poem with fifty-two footnotes explaining its Scandinavian allegorical
allusions. The other newspapers gave her the same amount of space, and
the interest in her was maintained at the same high pitch during her
entire stay in New York.
III
Public-domain text, read in full here on John Shaqi.
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