Barnum and Jenny Lind inspected the institution for the blind, a riding
academy, houses of correction, Greenwood Cemetery and the city prison.
Every day each newspaper printed a special column headed “Movements of
The Swedish Nightingale,” wherein it was told what she visited and who
visited her. Many clergymen and people of the best reputation in the
community were her daily visitors. Dr. Anson Jones, the last president
of Texas, called and was delighted with The Swedish Nightingale. The
Rev. Dr. Cummings with the little girls of his school visited her, and
the little girls presented her with “a six dollar bouquet,” according
to the exact _Herald_.
The first rehearsal was held at Castle Garden a few days after Jenny
Lind’s arrival. Barnum had invited all the music critics, who brought
with them all their friends, so that the audience was large enough
to frighten Jenny Lind, who insisted upon comparative privacy, and
at all subsequent rehearsals Barnum’s generosity was limited to the
critics and a few invalids who could not bear the crush of the regular
performances. While Jenny Lind was singing the _Casta Diva_ from
_Norma_ at this first rehearsal, the Battery guns attached to Castle
Garden boomed loudly, startling the singer and surprising the audience.
It was explained that California had just been admitted to the Union,
and Jenny Lind smiled her interest in the popular enthusiasm over the
gold state. During the first rehearsal the Battery was crowded with
people, anxious to catch the few notes of this marvelous voice that
might escape from the bulky Castle Garden. After the rehearsal, Jenny
Lind attempted to get to her carriage through the crowd, and she took
the arm of Maunsell B. Field, who attended the rehearsal and reported
the scene in his book. The crowd pressed close, and the police forced a
passage for the singer. Some of the crowd broke the cordon of policemen
and tried to thrust petitions for charity into Jenny Lind’s hands,
while others made desperate efforts to gaze into her face, that they
might tell their grandchildren they had seen Jenny Lind plain. The
people took Maunsell B. Field for Barnum and addressed him familiarly
by that name, as he and Jenny Lind proceeded with difficulty to her
carriage. At later rehearsals various excuses were used by eager
admirers to gain admission, and some men brought violins and other
portable musical instruments in order to make the doorkeeper believe
that they were members of the orchestra.
Public-domain text, read in full here on John Shaqi.
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