‘call’ not responded to, rushed out and made his way among the quadroon
flower-girls on St. Charles Street, asking, ‘Have you got the last
rose of summer?--where’s the last rose of summer? I’ll give five--I’ll
give ten dollars for the last rose of summer.’”
The concert party proceeded up the Mississippi River, and Jenny Lind
gave performances at Natchez and Memphis. At Nashville, Tennessee,
they arrived just before April Fool’s Day, and on the first of April
Barnum exercised his cruel and unthinking practical sense of humor
by obtaining blank telegraph forms and sending his companions and
employees alarming despatches from home. Le Grand Smith received a
message from his old father in Connecticut that the family homestead
was in ashes, and some of the minor employees had offers for their
services from banks and other institutions. The musical performers were
offered long engagements in New York or London, and one of the married
men was informed that he was the father of twins. The next morning they
read in a Nashville newspaper an account of the deception, for Barnum
was proud of his wit and anxious to make publicity even at the expense
of other persons’ anxiety or false hopes. In his early circus days
Aaron Turner had played the same kind of trick on him, and he forgot
how angry he had been at this type of practical joke.
In Cincinnati the crowd on the wharf was so large that once more Jenny
Lind was distressed. The news of how Barnum kept the crowds from Jenny
Lind in New Orleans had spread, and it was impossible for him to repeat
the trick at Cincinnati. Therefore, this time he took Jenny Lind’s
arm. She was heavily veiled. Le Grand Smith shouted from the deck of
the ship, “That’s no go, Mr. Barnum, you can’t pass your daughter off
for Jenny Lind this time.” The crowd backed away from the couple of
celebrities and jeered wisely at Barnum, assuring him that he could
fool New Orleans, but not Cincinnati. In five minutes Jenny Lind was in
her rooms, and the crowd persisted for an hour on the wharf.
Public-domain text, read in full here on John Shaqi.
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