Coup noticed that in the larger towns the receipts averaged from $5,000
to $7,000 a day, and in the smaller towns they fell to $2,000 a day.
This led him to consider the possibility of transporting the Barnum
show by rail, thus making sufficiently long trips to eliminate all
towns where the receipts were likely to fall below $5,000. Barnum tells
in his autobiography how he triumphed over all other showmen because
of his high-handed enterprise and his liberal outlay of money. He
particularly records how he startled his partners, Coup and Costello,
when he decided to transport the circus by rail. But these statements
were not true. All his associates in the circus who have left any
records of their opinions agree that in his last years Barnum was
inclined to be niggardly and conservative, traits which would have
been fatal to the success of such a gigantic enterprise as he was then
conducting. It was Coup who negotiated with the railroads for the
transportation of the circus, and who informed Barnum arbitrarily that
during the season of 1872 the circus would be transported by rail. The
innovation startled Barnum, and he protested vigorously. Even after
rail transportation had been demonstrated as successful, Barnum urged
that it should be abandoned in favor of the old wagons, confining the
show to short trips. But Coup refused to listen to Barnum, and he
so perfected the details of loading and unloading that it was made
possible to make trips of one hundred miles each night, give the
far-famed street parade in the morning, and an afternoon and evening
performance in each city visited. His system of railroad transportation
also made it possible to carry a much larger show about the country,
and during the first season of rail transportation the receipts of
the circus were more than one million dollars, according to Barnum’s
own figures. These tremendous figures of profits and expenditure were
enough to frighten a younger man than Barnum.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account