She dragged herself toward him with her hands clasped in an agony of
supplication, while he recoiled, frightened by this outburst of
passion, and utterly amazed by his easily won victory. The poor woman
misunderstood this movement. “Great God!” she exclaimed, “he spurns me;
he loathes me. Ah! I knew it would be so. Oh! why did you come? What
infamous wretch sent you here? Name him, Wilkie! Do you understand, now,
why I concealed myself from you? I dreaded the day when I should blush
before you, before my own son. And yet it was for your sake. Death would
have been a rest, a welcome release for me. But your breath was ebbing
away, your poor little arms no longer had strength to clasp me round the
neck. And then I cried: ‘Perish my soul and body, if only my child can
be saved!’ I believed such a sacrifice permissible in a mother. I am
punished for it as if it were a crime. I thought you would be happy, my
Wilkie. I said to myself that you, my pride and joy, would move freely
and proudly far above me and my shame. I accepted ignominy, so that your
honor might be preserved intact. I knew the horrors of abject poverty,
and I wished to save my son from it. I would have licked up the very
mire in your pathway to save you from a stain. I renounced all hope for
myself, and I consecrated all that was noble and generous in my nature
to you. Oh! I will discover the vile coward who sent you here, who
betrayed my secret. I will discover him and I will have my revenge! You
were never to know this, Wilkie. In parting from you, I took a solemn
oath never to see you again, and to die without the supreme consolation
of feeling your lips upon my forehead.”
She could not continue; sobs choked her utterance. And for more than a
minute the silence was so profound that one could hear the sound of low
conversation in the hall outside, the exclamations of the players as
they greeted each unexpected turn of luck, and occasionally a cry of
“Banco!” or “I stake one hundred louis!” Standing silent and motionless
near the window, Wilkie gazed with consternation at Madame d’Argeles,
his mother, who was crouching in the middle of the room with her face
hidden in her hands, and sobbing as if her heart would break. He would
willingly have given his third share in Pompier de Nanterre to have
made his escape. The strangeness of the scene appalled him. It was
not emotion that he felt, but an instinctive fear mingled with
commiseration. And he was not only ill at ease, but he was angry
with himself for what he secretly styled his weakness. “Women are
incomprehensible,” he thought. “It would be so easy to explain things
quietly and properly, but they must always cry and have a sort of
melodrama.”
Public-domain text, read in full here on John Shaqi.
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