Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
"I shall never forget how good you have been," Dorinda said, when it was
over. "I don't know what I should have done without you." And though the
words were spoken impulsively, as a matter of fact she never, in the
future, forgot Nathan's kindness. It was a mark of her proud and
self-sufficient nature that she could not forget either gratitude or
resentment.
When he had driven away, she turned to Fluvanna, who was picking up bits
of rusty crape from the floor of the porch.
"I really don't know what we should have done without him," she remarked
over again.
"If you ax me, Miss Dorinda, he is one handy man at a funeral," answered
Fluvanna, who relapsed into dialect on tragic or perilous occasions. "I
was thinkin' right along how pleased yo' Ma would have been if she could
have seen him, for she cert'n'y did like handy folks about her."
"Poor Ma, I wish she could have had the chickens a few years earlier,"
Dorinda sighed. "To think of the years she went without a cow."
"Well, she enjoyed 'em while she had 'em," Fluvanna responded fervently.
"Have you thought yet what you're goin' to do, Miss Dorinda?"
"Yes, I've thought. The farm is mine. Ma left it to me, and I'm going to
stay on as we are."
"Just you and me? Won't you get lonesome without some white folks?"
"After Jonas Walsh moves out of the overseer's house, I'll engage Martin
Flower, who is a better farmer, and has a sensible wife. Mary Joe can
take care of the chickens, and I'm going to hire her brother Ebenezer to
help Nimrod with the cows. If everything goes well this winter, I'll be
ready to start a real dairy in the spring. Then I'll need more hands, so
we shan't be lonely."
"Naw'm, I don't reckon we'll, get lonesome, not the way we work,"
Fluvanna agreed. "I ain' never seen no man work as hard as you do, Miss
Dorinda. Yo' Ma told me befo' she passed away that you had stayin' power
and she reckoned that you was the only one of the family that had.
Sprightliness don't git you far, she said, unless you've got stayin'
power enough to keep you after you git thar. Well, it's all your'n now,
ain't it?" she inquired placidly, as Dorinda's eyes swept the horizon.
"Yes, it's all mine." Walking over to the edge of the porch, Dorinda
looked across the vague, glimmering fields. Another autumn had gone.
Another sunset like the heart of a pomegranate was fading out in the
west. Again the wandering scents of wood smoke and rotting leaves came
and went on the wind.
For an instant, the permanence of material things, the inexorable
triumph of fact over emotion, appeared to be the only reality. These
things had been ageless when her mother was young; they would be still
ageless when she herself had become an old woman. Over the immutable
landscape human lives drifted and vanished like shadows.
XIV
Public-domain text, read in full here on John Shaqi.
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