Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
When she looked back on the years that followed her mother's death,
Dorinda could remember nothing but work. Out of a fog of recollection
there protruded bare outlines which she recognized as the milestones of
her prosperity. She saw clearly the autumn she had turned the
eighteen-acre field into pasture; the failure of her first experiment
with ensilage; the building of the new dairy and cow-barns; the gradual
increase of her seven cows into a herd. Certain dates stood out in her
farm calendar. The year the blight had fallen on her cornfield and she
had had to buy fodder from James Ellgood; the year she had first planted
alfalfa; the year she had lost a number of her cows from contagious
abortion; the year she had reclaimed the fields beyond Poplar Spring;
the year her first prize bull had won three blue ribbons. With the slow
return of fertility to the soil, she had passed, by an unconscious
process, into mute acquiescence with the inevitable. The bitter irony of
her point of view had shaded into a cheerful cynicism which formed a
protective covering over her mind and heart. She had worked relentlessly
through the years; but it was work that she had enjoyed, and above all
it was work that had created anew the surroundings amid which she lived.
In a changed form her mother's frustrated passion to redeem the world
was finding concrete expression.
At thirty-three, the perspective of the last ten years was incredibly
shortened. All the cold starry mornings when she had awakened before day
and crept out to the barn by lantern light to attend to the milking,
appeared to her now as a solitary frozen dawn. All the bleak winters,
all the scorching summers, were a single day; all the evenings, when she
had dreamed half asleep in the firelit dusk, were a single night. She
could not separate these years into seasons. In her long retrospect they
were crystallized into one flawless pattern.
Public-domain text, read in full here on John Shaqi.
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