Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
Mrs. Oakley, a tall, lean, angular woman, who had been almost beautiful
for a little while forty years before, placed the coffee-pot on the
table before she turned to look at her daughter. Under her sparse grey
hair, which was strained tightly back and twisted in a small knot on her
head, her face was so worn by suffering that a network of nerves
quivered beneath the pallid veil of her flesh. Religious depression,
from which she still suffered periodically, had refined her features to
austerity. Her pale grey eyes, with their wide fixed stare, appeared to
look out of caverns, and endowed her with the visionary gaze of a
mystic, like the eyes of a saint in a primitive Italian painting. Years
ago, while Dorinda was still a child, her mother had been for weeks at a
stretch what people called "not quite right in her mind," and she had
talked only in whispers because she thought the country was listening.
As long as the spell lasted, it had seemed to the child that the
farm-house crouched like a beaten hound, in the midst of the brown
fields, beneath the menacing solitude. Since then she had never lost the
feeling that the land contained a terrible force, whether for good or
evil she could not tell, and there were hours when the loneliness seemed
to rise in a crested wave and surge over her.
As she took the basket from her daughter, Mrs. Oakley's features
softened slightly, but she did not smile. Only very young things,
babies, puppies, chickens just out of the shell, made her smile, and
then her smile was more plaintive than cheerful.
"Rufus can have his buckwheat cakes for breakfast," she said, without
stopping in her movements from the table to the safe and from the safe
to the stove.
She had worked so hard for so many years that the habit had degenerated
into a disease, and thrift had become a tyrant instead of a slave in her
life. From dawn until after dark she toiled, and then lay sleepless for
hours because of the jerking of her nerves. She was, as she said of
herself, "driven," and it was the tragedy of her lot that all her toil
made so little impression. Though she spent every bit of her strength
there was nothing to show for her struggle. Like the land, which took
everything and gave back nothing, the farm had drained her vitality
without altering its general aspect of decay.
Public-domain text, read in full here on John Shaqi.
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