Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
She held up a dingy dress which had once belonged to Mrs. Oakley, and
Dorinda slipped into it with the feeling that she was preparing for her
own coffin. As she was about to go down to meet her callers, Fluvanna
unfolded and shook out before her the crape veil which had been worn by
two generations of widows. Her grandmother had bought it in more
affluent circumstances, and after her death, for she had been one of the
perpetual widows of the South, it had lain packed away in camphor until
Mrs. Oakley was ready for it. Now it was Dorinda's turn, and a shiver
went through her heart as she inhaled the rusty smell of bereavement.
"You'll have to get a new veil after the burial," Fluvanna observed,
"but I reckon you can make out with this crape until that is over. It
has turned real brown, but there won't many people notice it in church."
Putting the proffered veil aside, Dorinda hastened downstairs, after
reminding Fluvanna that she must make coffee in case the visitors
expected something to eat.
"If only they would leave the dignity and take away the sordidness of
death," she thought.
At the foot of the staircase, Miss Seena Snead was waiting for her with
a black serge dress that she had borrowed from one of the neighbours.
"What in the world have you got on, Dorinda?" she asked, while the tears
brimmed over her kind old eyes. "I declare it looks as if it was made
befo' the Flood. I no sooner heard of po' Nathan's death than I began to
study about where I could find a good black dress for you to wear to the
funeral. I wasn't a bit surprised that Nathan turned out to be such a
hero. I always knew there was a lot mo' in him than some folks
suspected. Then, while I was in the midst of trying to recollect who had
died last year, young Mrs. John Garlick drove into our yard with this
dress and a widow's bonnet in her arms. She told me she's stoutened so
she couldn't make the dress meet on her, and she'd be obliged if you'd
do her the favour to wear it. The bonnet she sent along because it's a
widow's bonnet anyway, and she can't wear it herself until she loses
John. That makes her sort of superstitious about keepin' it put away as
if she were saving it for a purpose. John bought it for her in New York
when she lost her mother. Wasn't that like a man all over again, to go
and buy his wife a bonnet with a widow's ruche when her mother died?"
"I'm much obliged to her," Dorinda replied stiffly, taking the bonnet
out of the bandbox.
"It'll be real becomin' to you," Miss Seena exclaimed consolingly.
Though her tears were still streaming for Nathan, her imagination had
already envisaged Dorinda as a widow in weeds. "It makes you look mo'
strikin' than colours. There ain't nothin' you can wear so conspicuous
as crape, my po' Ma used to say."
Public-domain text, read in full here on John Shaqi.
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