Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
community, the Presbyterian faith sprang up and blossomed like a Scotch
thistle in barren ground.
In his long white house, encircled by the few cultivated fields in the
midst of his still-virgin acres, John Calvin Abernethy lived with
learning, prudence, and piety until he was not far from a hundred. He
had but one son, for unlike the Scotch-Irish of the Valley, his race did
not multiply. The son died in middle age, struck down by an oak he was
felling, and his only child, a daughter, was reared patiently but
sternly by her grandfather. When, in after years, this granddaughter,
whose name was Eudora, fell a victim of one of those natural instincts
which Presbyterian theology has damned but never wholly exterminated,
and married a member of the "poor white" class, who had nothing more to
recommend him than the eyes of a dumb poet and the head of a youthful
John the Baptist, old Abernethy blessed the marriage and avoided, as
far as possible, the connection. Knowing the aptitude of the poor for
futility, he employed his remaining years on earth in accumulating a
comfortable inheritance for his great-grandchildren. When he was dead,
his granddaughter's husband, young Joshua Oakley, worked hard, after the
manner of his class, to lose everything that was left. He was a good man
and a tireless labourer; but that destiny which dogs the footsteps of
ineffectual spirits pursued him from the hour of his birth. His wife,
Eudora, who resembled her grandfather, recovered promptly from the
natural instinct, and revealed shortly afterwards signs of suppressed
religious mania.
Of this union of the positive and the negative virtues, three children
survived. Two of these were sons, Josiah and Rufus; the other was a
daughter, Dorinda, the girl who, having thrown the orange shawl over her
head, had come out of the store, and stood now with the snow in her face
and her eager gaze on the road.
II
She was a tall girl, not beautiful, scarcely pretty even according to
the waxen type of the 'nineties; but there was a glow of expression, an
April charm, in her face. Her eyes were her one memorable feature.
Large, deep, radiant, they shone beneath her black lashes with a clear
burning colour, as blue as the spring sky after rain. Above them her
jutting eyebrows, very straight and thick, gave a brooding sombreness to
her forehead, where her abundant hair was brushed back in a single dark
wave. In repose her features were too stern, too decisive. Her nose,
powdered with golden freckles, was a trifle square at the nostrils; her
mouth, with its ripe, bee-stung lower lip, was wide and generous; the
pointed curve of her chin revealed, perhaps, too much determination in
its outward thrust. But the rich dark red in her cheeks lent vividness
to her face, and when she smiled her eyes and mouth lighted up as if a
lamp shone within. Against the sordid background of the store, her head
in the brilliant shawl was like some exotic flower.
Public-domain text, read in full here on John Shaqi.
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