Barren Honour: A NovelLawrence, George A. (George Alfred)
General
Barren Honour: A Novel
Lawrence, George A. (George Alfred)
Fiction
each must stand comparison, in aftertime, with other birds, tame and
wild, whose plumage glistens with every gorgeous variety of colour,
whose notes sink and swell through all the scales of harmony. Then it is
the old story over and over again. Madame Ste. Colombe does not care so
much for modest merit, and considers meekness rather a tame and insipid
virtue, since the keen black eyes of haughty, handsome Count Aquila told
her a flattering tale; sober drab and fawn no longer seem a becoming
apparel since Prince Percinet (the Duchess's favourite lory) dazzled her
with his Court suit of crimson and gold. Her innocent consort never
dreams, of course, of repining; but he confesses to an intimate friend
that cooing _does_ sometimes sound rather monotonous: he heard a few
days ago, for the first time, Lady Philomelle sing. Surely it were
better to endure loneliness a little longer--ay, even till "black turns
grey"--than to discover that we are unworthily or unsuitably matched,
when to change our mate would be a double sin. There are matrimonial
mistakes enough, Heaven knows, made as it is; but, if every one were to
marry their first love, a decade of Judges more untiring than Sir
Cresswell would be insufficient to settle the differences of aspirants
to dis-union.
This is the "wrong side of the stuff," of course; it would be easy to
quote thousands of opposite instances--of the Anderson type--where no
shadow of discontent has clouded a long life of happiness. Still, the
danger remains: you can no more ignore it than you can any other
disagreeable fact, or public nuisance; but it will probably be lessened
if one or both of the contracting parties have had practical experience
enough to enable them to know their own minds once for all. The wise old
Stagyrite, after discussing different sorts of courage, places high that
of [Greek: Empeiria]: shall we not, too, honour and value most the Love
which has been matured and educated by a course of preliminary and
lighter experiments?
If we have wandered far, through many gardens--finding in each flowers
fragrant and beautiful, but never a one worthy to be placed in our
breast--do we love her less, when we choose her at last--our own
Provence Rose? Was it not well that we should review and admire other
fair pictures wrought by the Great Artist, before we bought what we
hold to be His masterpiece, at the price of all our life's treasure? Had
we not acquired some cunning of the lapidary, by studying the properties
of less precious gems, could we value your pure perfections aright, O
Margarita, pearl of pearls?
(In spite of that last sentimental sentence, which, I swear, was
elaborated solely as a peace-offering to Them, I feel a comfortable
conviction of having left the prejudices of every feminine reader in
precisely the same state as I found them when we broached the subject.)
Public-domain text, read in full here on John Shaqi.
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