Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
Mr. Ludolph believed that Dennis was no more to his daughter than a
useful clerk.
The next morning Christine rose pale and listless.
Her father said, "I will arrange my business so that we can go off on
a trip in a few days."
When left alone she sat down at her easel and tried to restore the
expression that had so delighted her on the preceding day. But she
could not. Indeed she was greatly vexed to find that her tendency was
to paint his stern and scornful look, which had made a deeper impression
on her mind than any she had even seen on his face, because so
unexpected and novel. She became irritated with herself, and cried,
fiercely: "Shame on your weakness! You are unworthy of your blood and
ancestry. I will reproduce that face as it was before he so insolently
destroyed it;" and she bent over her easel with an expression not at
all in harmony with her work. Unconsciously she made a strange contrast,
with her severe, hard face and compressed lips, to the look of love
and pleading she sought to paint. For several days she wrought with
resolute purpose, but found that her inspiration was gone.
At last she threw down her brush in despair, and cried: "I cannot catch
it again. The wretch either smiles or frowns upon me. I fear he was
right: I have made my first and last success;" and she leaned her head
sullenly and despairingly on her hand. Again the whole scene passed
before her, and she dwelt upon every word, as she was beginning often
to do now, in painful revery. When she came to the words, "I too mean
to be an artist. I could show you a picture that would tell you far
more of what I mean than can my poor words" she started up, and, hastily
arraying herself for the street, was soon on her way to the Art
Building.
No one heeded her movements there, and she went directly upstairs to
his room. Though simple and plain, it had unmistakably been the abode
of a gentleman and a person of taste. It was partially dismantled, and
in disorder from his hasty departure, and she found nothing which
satisfied her quest there. She hastened away, glad to escape from a
place where everything seemed full of mute reproach, and next bent her
steps to the top floor of the building. In a part half-filled with
antiquated lumber, and seldom entered, she saw near a window facing
the east an easel with canvas upon it. She was startled at the throbbing
of her heart.
"It is only climbing these long stairs," she said; but her words were
belied by the hesitating manner and eager face with which she approached
and removed the covering from the canvas.
She gazed a moment and then put out her hand for something by which
to steady herself. His chair was near, and she sank into it, exclaiming:
"He has indeed painted more than he--more than any one--could put into
words. He has the genius that I have not. All here is striking and
original;" and she sat with her eyes riveted to a painting that had
revealed to her--herself.
Public-domain text, read in full here on John Shaqi.
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