Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
Here was the secret of Dennis's toil and early work. Here were the
results of his insatiable demand for the incongruous elements of ice
and sunlight.
Side by side were two emblematic pictures. In the first there opened
before Christine a grotto of ice. The light was thin and cold but very
clear. Stalactites hung glittering from the vaulted roof. Stalagmites
in strange fantastic forms rose to meet them. Vivid brightness and
beauty were on every side, but of that kind that threw a chill on the
beholder. All was of cold blue ice, and so natural was it that the eye
seemed to penetrate its clear crystal. To the right was an opening in
the grotto, through which was caught a glimpse of a summer landscape,
a vivid contrast to the icy cave.
But the main features of the picture were two figures. Sleeping on a
couch of ice was the form of a young girl. The flow of the drapery,
the contour of the form, was grace itself, and yet all was ice. But
the face was the most wonderful achievement. Christine saw her own
features, as beautiful as in her vainest moments she had ever dared
to hope. So perfect was the portrait that the delicate blue veins
branched across the temple in veiled distinctness. It was a face that
lacked but two things, life and love; and yet in spite of all its
beauty the want of these was painfully felt--all the more painfully,
even as a lovely face in death awakens a deeper sadness and regret.
One little icy hand grasped a laurel wreath, also of ice. The other
hand hung listless, half open, and from it had dropped a brush that
formed a small stalagmite at her side.
Bending over her in most striking contrast was the figure of a young
man, all instinct with life, power, and feeling. Though the face was
turned away, Dennis had suggested his own form and manner. His left
hand was extended toward the sleeping maiden, as if to awaken her,
while with the right he pointed toward the opening through which was
seen the summer landscape, and his whole attitude indicated an eager
wish to rescue her. This was the first picture.
The second one was still more suggestive. At the entrance of the grotto,
which looked more cold than ever, in its partial shadow, Christine saw
herself again, but how changed! She now had a beauty which she could
not believe in--could not understand.
The icy hue and rigidity were all gone. She stood in the warm sunlight,
and seemed all warmth and life. Her face glowed with feeling, yet was
full of peace.
Instead of the barren ice, flowers were at her feet, and fruitful trees
bent over her. Birds were seen flitting through their branches. The
bended boughs, her flowing costume, and the tress of golden hair lifted
from her temple, all showed that the summer wind was blowing.
Public-domain text, read in full here on John Shaqi.
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