Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
Everything about the place indicated lavish expenditure. The walks and
trees were straight and formal, the flowers that bloomed here and
there, large and gaudy. A parrot hung in a gilded cage against a column
of the piazza. No wild songsters fluttered in the trees, or were on
the wing. Hills shut the place in and gave it a narrow, restricted
appearance, and the sky overhead was hard and brazen. On the lawn stood
a graceful mountain ash, and beneath it were two figures. The first
was that of a man, and evidently the master of the place. His appearance
and manner chiefly indicated pride, haughtiness, and also sensuality.
He had broken a spray from the ash-tree, and with a condescending air
was in the act of handing it to a lady, in the portraiture of whom
Dennis had truly displayed great skill. She was very beautiful, and
yet there was nothing good or noble in her face. Her proud features
showed mingled shame and reluctance to receive the gift in the manner
it was bestowed, and yet she was receiving it. The significance of the
mountain ash is "Grandeur." The whole scene was the portrayal, in the
beautiful language of art, of a worldly, ambitious marriage, where the
man seeks mere beauty, and the woman wealth and position, love having
no existence.
It possessed an eloquence that Christine could not resist, and she
fairly loathed the alliance she knew her father would expect her to
make after their arrival in Germany, though once she had looked forward
to it with eagerness as the stepping-stone to her highest ambition.
The second picture was a beautiful contrast. Instead of the brazen
glare of the first, the air was full of glimmering lights and shades,
and the sky of a deep transparent blue. Far up a mountain side, on an
overhanging cliff, grew the same graceful ash-tree, but its branches
were entwined with vines of the passion-flower that hung around in
slender streamers. On a jutting rock, with precarious footing, stood
a young man reaching up to grasp a branch, his glance bold and hopeful,
and his whole manner full of daring and power. He had evidently had
a hard climb to reach his present position; his hat was gone; his dress
was light and simple and adapted to the severest effort.
But the chief figure in this picture also was that of a young girl who
stood near, her right hand clasping his left, and steadying and
sustaining him in his perilous footing. The wind was in her golden
hair, and swept to one side her light, airy costume. Her pure, noble
face was lilted up toward _him_, rather than toward the spray he sought
to grasp, and an eager, happy light shone from her eyes. She had
evidently climbed _with_ him to their present vantage-point, and now her
little hand secured and strengthened him as he sought to grasp, for her,
success and prosperity joined with unselfish love. The graceful
wind-flowers tossed their delicate blossoms around their feet, and above
them an eagle wheeled in its majestic flight.
Public-domain text, read in full here on John Shaqi.
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