Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
Below and opposite them on a breezy hillside stood a modern villa, as
tasteful in its architecture as the former had been stiff and heavy.
A fountain played upon the lawn, and behind it a cascade broke into
silver spray and mist. High above this beautiful earthly home, in the
clear, pure air rose a palace-like structure in shadowy, golden outline,
indicating that after the dwelling-place of time came the grander, the
perfect mansion above.
Christine looked till her eyes were blinded with tears, and then dropped
her veil. In the features of the lady in each case she had not failed
to trace a faint likeness, sufficient to make it clear to herself. She
said in a low, plaintive tone, with quivering lips, "Mr. Fleet painted
that picture."
"Yes," said Mrs. Leonard, looking at her with no little wonder and
perplexity.
By a great effort Christine recovered herself and said, "You know how
deeply fine paintings always affect me."
Dennis of course knew nothing of Christine's feelings. He could only
see that his picture had produced a profound effect on her, and that
she had eyes for nothing else. But he overheard Mr. Cornell say, "It
is indeed a remarkable painting."
"Do you know its author?" asked Mr. Ludolph, with a heavy frown.
"No, I do not. It is still a mystery."
"Will it take the prize, do you think?"
"I am not at liberty to give an opinion as yet," replied Mr. Cornell,
with a smile. "There is another picture here, almost if not quite as
fine, though much smaller and simpler;" and he took Mr. Ludolph off
to show him that.
Dennis was now recognized by Mrs. Leonard and her husband, who came
forward and greeted him cordially, and they started on a tour of the
gallery together. Though his heart beat fast, he completely ignored
Christine's presence, and responded coldly to Mr. Ludolph's slight bow.
Christine, on being aware of his presence, furtively devoured him with
her eyes. The refining influences of his life were evident in his face
and bearing, and she realized her ideal of what a man ought to be.
Eagerly she watched till he should discover her painting where it hung
opposite his own, and at last she was amply rewarded for all her toil.
He stopped suddenly and stood as if spellbound.
The picture was very simple, and few accessories entered into it. Upon
a barren rock of an island stood a woman gazing far out at sea, where
in the distance a ship was sailing _away_. Though every part had been
worked up with exquisite finish, the whole force and power of the
painting lay in the expression of the woman's face, which was an
indescribable mingling of longing and despair. Here also Christine had
traced a faint resemblance to herself, though the woman was middle-aged
and haggard, with famine in her cheeks.
Public-domain text, read in full here on John Shaqi.
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