The first stage of the Barringtons' journey was Dublin. They alighted
at Reynolds's Hotel, in Old Dominick Street, the once favorite resort of
country celebrities. The house, it is true, was there, but Reynolds had
long left for a land where there is but one summons and one reckoning;
even the old waiter, Foster, whom people believed immortal, was gone;
and save some cumbrous old pieces of furniture,--barbarous relics of bad
taste in mahogany,--nothing recalled the past. The bar, where once on a
time the “Beaux” and “Bloods” had gathered to exchange the smart things
of the House or the hunting-field, was now a dingy little receptacle
for umbrellas and overcoats, with a rickety case crammed full of
unacknowledged and unclaimed letters, announcements of cattle fairs, and
bills of houses to let. Decay and neglect were on everything, and the
grim little waiter who ushered them upstairs seemed as much astonished
at their coming as were they themselves with all they saw. It was not
for some time, nor without searching inquiry, that Miss Dinah discovered
that the tide of popular favor had long since retired from this quarter,
and left it a mere barren strand, wreck-strewn and deserted. The house
where formerly the great squire held his revels had now fallen to be
the resort of the traveller by canal-boat, the cattle salesman, or the
priest. While she by an ingenious cross-examination was eliciting these
details, Barrington had taken a walk through the city to revisit old
scenes and revive old memories. One needs not to be as old as Peter
Barrington to have gone through this process and experienced all its
pain. Unquestionably, every city of Europe has made within such a period
as five-and-thirty or forty years immense strides of improvement.
Wider and finer streets, more commodious thoroughfares, better bridges,
lighter areas, more brilliant shops, strike one on every hand; while the
more permanent monuments of architecture are more cleanly, more orderly,
and more cared for than of old. We see these things with astonishment
and admiration at first, and then there comes a pang of painful
regret,--not for the old dark alley and the crooked street, or the
tumbling arch of long ago,--but for the time when they were there, for
the time when they entered into our daily life, when with them were
associated friends long lost sight of, and scenes dimly fading away from
memory. It is for our youth, for the glorious spring and elasticity of
our once high-hearted spirit, of our lives so free of care, of our days
undarkened by a serious sorrow,--it is for these we mourn, and to
our eyes at such moments the spacious street is but a desert, and the
splendid monument but a whitened sepulchre!
Public-domain text, read in full here on John Shaqi.
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