To explain her project, I must go back in my story, and state that her
nephew, George Barrington, had sent over to England, some fifteen years
before, a little girl, whom he, called his daughter. She was consigned
to the care of his banker in London, with directions that he should
communicate with Mr. Peter Barrington, announce the child's safe
arrival, and consult with him as to her future destination. Now,
when the event took place, Barrington was in the very crisis of his
disasters. Overwhelmed with debts, pursued by creditors, regularly
hunted down, he was driven day by day to sign away most valuable
securities for mere passing considerations, and obliged to accept any
conditions for daily support He answered the banker's letter, briefly
stating his great embarrassment, and begging him to give the child his
protection for a few weeks or so, till some arrangement of his affairs
might enable him to offer her a home.
This time, however, glided over, and the hoped-for amendment never
came,--far from it. Writs were out against him, and he was driven to
seek a refuge in the Isle of Man, at that time the special sanctuary of
insolvent sinners. Mr. Leonard Gower wrote again, and proposed that, if
no objection would be made to the plan, the child should be sent to a
certain convent near Namur, in the Netherlands, where his own daughter
was then placed for her education. Aunt Dinah would have rejected,--ay,
or would have resented such a proposal as an insult, had the world but
gone on better with them. That her grand-niece should be brought up a
Catholic was an outrage on the whole Barring-ton blood. But calamity had
brought her low,--very low, indeed. The child, too, was a heathen,--a
Hindoo or a Buddhist, perhaps,--for the mother was a native woman,
reputed, indeed, to be a princess. But who could know this? Who could
vouch that George was ever married at all, or if such a ceremony were
possible? All these were “attenuating circumstances,” and as such she
accepted them; and the measure of her submission was filled up when she
received a portrait of the little girl, painted by a native artist. It
represented a dark-skinned, heavy-browed child, with wide, full eyes,
thick lips, and an expression at once florid and sullen,--not any of
the traits one likes to associate with infancy,--and it was with a half
shudder Aunt Dinah closed the miniature, and declared that “the sight of
the little savage actually frightened her.”
Not so poor Barrington. He professed to see a great resemblance to his
son. It was George all over. To be sure, his eyes were deep blue, and
his hair a rich brown; but there was something in the nose, or perhaps
it was in the mouth,--no, it was the chin,--ay, it was the chin was
George's. It was the Barrington chin, and no mistake about it.
Public-domain text, read in full here on John Shaqi.
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