Each generation contains some men and women possessed of unusual endowments--as organizers and enterprisers, as spokesmen, as singers, as seers and prophets. These gifted ones the old order sets out to win--lavishing upon them gratitudes, favors, rewards; filling their lives out of the horn of economic and social plenty; teasing their vanities and gratifying their ambitions; soothing, cajoling, flattering. By these means the rulers succeed in bringing under their control the strong thinkers, the capable executives, the sensitive, the talented--all in fact who are worth buying, and who can be bought for income and for social preferment, even though they may have been born into the families of the humblest and most oppressed of the workers. Most men and women go where income promises and social preferment beckons. But not all! There are some whose love of justice, truth and beauty; whose yearning for betterment and increased social opportunity, outweighs the tempting bait of ease and respectability. Them the established order smites. The strength of the old order is measured superficially by the extent of its control over the means of common livelihood and by the generalness of the satisfaction or discontent with which the masses receive its administration. Fundamentally its strength is determined by the direction in which its life is tending. The structure of the Roman Empire was apparently sound before it buckled and disintegrated. The French aristocracy was never surer of itself than in the gala days that preceded 1789. The old order may undergo a process of gradual transformation. In that case the change is slow, as it was when Feudalism gave place to Capitalism in England. Again, the old order may be exterminated as it was when Feudalism gave place to Capitalism in France. In one case the masters of life loosens the reins of power to ease the straining team; in the other case the masters hold the reins taut till they are jerked from their hands, as masters and team go together over the precipice. The strength of the new order, at any stage in its development may be gauged by the solidarity of its organization, the efficacy of its propaganda, and the tone of its art. These forms of expression are necessary to the maintenance of any phase of culture, old or new, and by the last of the three, the esthetic expression of the culture, its morale may best be judged. It is for this reason that artists, musicians, dramatists and poets are so important a part of any order of society. They voice its deepest sentiments and express its most sacred faiths and longings. When the time arrives that a new social order can boast its permanent art and music and literature, it is already far advanced on the path that leads to stability and power. VI.