It is true there are some curves which may be better acquired by holding the ball differently in the hand, but this fact is outweighed by the other considerations of which I have just spoken. Pitcher Shaw might still be a "wizard" had he not neglected this precaution; by noticing his manner of holding the ball the batter always knew just what was coming; and there are other pitchers yet in the field who would find their effectiveness greatly increased by a closer observance of this point. As for the style of delivery, it should be remembered that the easiest movement is the best. A long, free sweep of the arm, aided by a swing of the body, will give more speed, be more deceiving to the batter, and allow of more work than any possible snap or jerky motion. Facing the striker before pitching, the arm should be swung well back and the body around so as almost to face second base in the act of delivery; this has an intimidating effect on weak-nerved batters; besides, not knowing from what point the ball will start, it seems somehow to get mixed up with the pitcher's arm and body so that it is not possible to get a fair view of it. It will be understood what motion is meant if there is an opportunity to observe Whitney, Clarkson or Keefe at work. Next comes the knowledge of how to throw the different curves. I have yet to see an article written on this subject which is of the least value in instructing a complete novice. In the chapter on "Curve Pitching" will be found the theory of the curve, but as for describing intelligibly the snap of the wrist and arm by which the various twists are imparted to the ball, I am convinced it cannot be done, and will waste no effort in the attempt. To curve a ball is not a difficult feat, and a few practical lessons, which any schoolboy can give, will teach the movement. But, while not attempting myself to tell how this is done, to one already possessed of the knowledge, I may offer some valuable suggestions.