This must induce a mighty feeling of bliss, for stiffly he draws
up his paws as he rolls and snaps into the air in all directions
in a tumult of joy and satisfaction. All the more passionately he
drains this rapture to the very dregs in that he knows that it is
purely a fleeting rapture, and that one cannot very well wallow in
this fashion more than ten seconds, and that that beneficent
weariness which comes to one after such honest and happy efforts
will not follow—but merely disillusion and two-fold disquietude—the
price paid for this delirium, this drug-like dissipation. For a
moment he lies with twisted eyeballs upon his side as though he
were dead. Then he rises and shakes himself. He shakes himself as
only his kind is able to shake itself—without having to fear a
concussion of the brain. He shakes himself to a crescendo of
flappings and rattlings, and his ears go slapping under his jawbone
and his loose lips part from his white, bare triangular teeth.
And then? Then he stands motionless, in stark abstraction. He has
reached the ultimate limit and no longer has a single idea as to
what he shall do with himself. Under such circumstances as these,
he has recourse to something extreme. He climbs up to the terrace,
approaches the glass door—scratches only once and very feebly. But
this soft and timidly lifted paw, this soft, solitary scratching,
upon which he had resolved, after all other counsel had failed,
work mightily upon me, and I arise to open the door for him in
order to let him in, although I know that this can lead to no good.
For he immediately begins to leap and cavort, as a call to engage
in manly enterprises. He pushes the carpet into a hundred folds,
spreads confusion through the room, and my peace and quiet are at
an end.
But now judge whether it is easy for me to sail off in the tram,
after seeing Bashan wait thus, and leave him sitting as a melancholy
little heap of misery deep within the converging lines of the
avenue of poplars!
Public-domain text, read in full here on John Shaqi.
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