There can be no doubt—these park-like streets with the poetic names
are running wild—the jungle is once more devouring them. Whether
one be disposed to lament the fact or rejoice over it—it is certain
that in another ten years the Goethe, Schiller, and Heine Streets
will no longer be passable, and will very likely have vanished
utterly. At present, to be sure, there is no cause for complaint.
Surely, from a pictorial and romantic point of view, there are no
lovelier streets in all the world than precisely these in precisely
their present condition. Nothing could be more grateful to the soul
than to ramble through this negligence, this incompleteness—that
is, when one is well and sturdily shod and need not fear the coarse
gravel. It is edification to the spirit to survey the manifold wild
vegetation of the tract and the groves of tiny-leafed trees fettered
by their soft dampness—sweet glimpses which frame and shut in these
perspectives. Just such a group of trees was painted three hundred
years ago by that great master of landscapes—he who came out of
Lorraine. But what am I saying?—_such_ as he painted? It was this
one—and none other—which he painted. He was here; he knew the
region, and if that rhapsodical member of the real estate company
who christened the streets in my park had not so rigidly restricted
himself to literature, then one or the other of these rust-corroded
signs might well cause me to guess at the name of Claude Lorraine.
I have now described the region of the central wood. But the
sloping land towards the east also possesses charms which are not
to be despised, at least so far as Bashan and myself are concerned,
and for reasons which will be revealed later. One might also call
it the zone of the brook, for it is a brook which gives it an
idyllic landscape quality. With the charm of its banks of
forget-me-nots it forms a counterpart on the hitherside to the zone
of the puissant river yonder—the roar and rushing turbulence of
which one is still able to hear in this spot—but only very faintly
and softly and only when the west wind is blowing. There where the
first cross street, running from the avenue of poplars between the
meadow ponds and the clumps of trees towards the slope, debouches
at the foot of this slope, there is a path that leads towards the
left. This is used in winter-time as a bob-sled run by the youth
of the region, and slants towards the lower-lying levels.
Public-domain text, read in full here on John Shaqi.
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