He stands and stares, listening intently to the tone of my voice.
He finds that this tone is full of accents which decidedly approve
of his existence, something which I am at pains to emphasise in my
speech. And suddenly, with an upward lunge of the head and a swift
opening and shutting of his jaws, he makes a snap towards my face,
as though he intended to bite off my nose, a bit of pantomime that
is obviously meant to be an answer to my remarks and which
invariably throws me backward in a sudden recoil, laughing—as
Bashan well knows. He intends this to be a kind of air-kiss, half
tenderness, half mischievousness—a manœuvre which has been peculiar
to him from puppyhood on—I had never observed it in the case of
any of his predecessors. Moreover, he at once begs pardon for the
liberty he has taken by waggings, short abrupt bows and an
embarrassed air. And then we pass out of the garden-gate into the
open.
We are now invested with a sound of rushing and roaring as of the
sea. For my house fronts almost directly on the River Isar “rolling
rapidly” as in the famous lines by Campbell, and foaming over flat
terraces in its bed. We are separated from it only by the rows of
poplars, by a strip of fenced-in grass which is planted with young
maples and an elevated road which is fringed by great aspens,
giants which conduct themselves in the same bizarre manner as
willows and snow up the whole region with their white, seed-bearing
fluff at the beginning of June. Up river, towards the city, I see
a detachment of pioneers practising the building of a pontoon
bridge. The thudding of their heavy boots upon the boards and the
shouts of their officers echo across the stream. From the farther
bank there come sounds of industrial activity, for yonder, at some
distance down-stream from the house, there is a locomotive plant
working under increased pressure—in accordance with the times. The
tall windows of this great brick shed glow through the darkness at
all hours of the night. New and beautifully lacquered engines hurry
to and fro on their trial trips, a steam siren occasionally lets
its heady howl be heard, a dull, thunderous pother makes the air
quiver from time to time, and from the throats of several stacks
the smoke creams darkly forth. This, however, is driven away by a
kindly-disposed wind towards the distant tracts of woods, so that
it seldom rolls across the river. Thus in the suburban, semi-rural
solitude of this region, the whisperings of contemplative nature
mingle with those of human activity. Over all lies the blank-eyed
freshness of the morning hour.
Public-domain text, read in full here on John Shaqi.
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