I have scarcely taken a dozen steps with my cane along the poplar
avenue, and Bashan has, as an overture, scarcely got through with
his preliminary leaps and lunges, than he is seen to be performing
the most extraordinary capricoles towards the right. He is already
gripped by the passion for the chase, and is blind and deaf to all
things save the exciting but hidden goings-on of the living things
about him. With every nerve taut and tense, waving his tail,
carefully lifting his feet, he goes slinking through the grass,
sometimes pausing in mid-step, with one foreleg and one hindleg in
air, then peering with cocked head into the hollows, an action
which causes the flaps of his erected ears to fall forward on both
sides of his eyes. And then raising both forepaws, he will suddenly
jump forward and will stare with dumbfounded expression at a spot
where but a moment before there _was_ something and where now there
is nothing. And then he begins to dig. . . .
I feel a strong desire to go to him and await the result, but then
we should never be able to leave the spot Bashan would expend his
entire stock of joy-in-the-chase right here in this meadow, and
this stock is meant to last him for the entire day. And so I walk
on—untroubled by any thought that he might not be able to overtake
me—even though he should remain behind for a long time without
having observed in what direction I had gone. To him my track and
trail are as clear as that of a bit of game. Should he have lost
sight of me, he is sure, with head lowered between his forepaws,
to come tearing along this trail. I hear the clinking of his brass
license-tag, his firm gallop behind me—and then he goes shooting
past me and turns with wagging tail once more to report himself on
duty.
Public-domain text, read in full here on John Shaqi.
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