In this portrait of tiny dimensions the Prince is represented in fancy
costume, after the manner of Holbein. His garments recall in a measure
those worn by King Henry VIII, in the celebrated portrait done by the
great painter from Basle. The Collar of the Golden Fleece is displayed
upon his breast. In the background of the picture may be seen dimly,
through a veil of mist, the panorama of London and the gray ribbon of
the Thames. The portrait is a little gem, which Bastien-Lepage wrought
with the minuteness and affectedly hieratic mannerism of Holbein and the
French primitive school. Although at present in possession of M. Émile
Bastien-Lepage, it will eventually find its place, together with a
goodly number of other canvases, in the museum of the Louvre, to which
the brother of the great artist intends to bequeath them.
It should be mentioned here, in connection with this work, that
Bastien-Lepage continued to make more and more of a specialty of
portraits of reduced dimensions, and that he acquired in this respect a
reputation of the first order. He loved these little canvases, scarcely
larger than miniatures, and he expended on their scanty surfaces an
inimitable skill; he embellished them with a wealth of accessory detail
which brings to mind, as we look at them to-day, the formidable labours
of the illuminators of the middle ages. But this goldsmith's work, far
from impairing the effect of the whole, adds a certain fascination to
it. And he expended upon the study of the face the same degree of
devotion that he gave to the rendering of a garment. His models relive
with an intensity of life such as could be expressed only by an artist
who has made a life-long study of nature in her minutest manifestations.
Public-domain text, read in full here on John Shaqi.
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