There is nothing that marks in any particular way these years of study,
nothing to indicate that the boy was a youthful prodigy, nor that he
showed any special aptitude for drawing. But he was studious, diligent,
and anxious to avoid repremands and to fulfil the expectations of his
parents. In due time he obtained his bachelor's degree, which at that
period was highly prized. His father, filled with pride, already began
to form brilliant projects for his future, already foresaw him a
distinguished official, supervising some great branch of the public
service. As a matter of fact, a position was found for the young
baccalaureate in a government department which was neither the most
desirable nor the one of least importance; namely, the Post Office
Department. Bastien-Lepage was not vastly delighted with the choice,
but, dutiful son that he was, he accepted the modest clerkship offered
him. One circumstance contributed, in a large degree, towards overcoming
his reluctance: the post assigned to him from the start was in Paris, of
which he had often heard marvellous things, and in which he hoped that
he would be able to follow his secret inclination. For, in the interval
his vocation had revealed itself; he had conceived a passion for
drawing, for colouring, for painting; and, like Correggio, he was eager
to say in his turn, "I too am a painter!"
Accordingly he set forth, leaving behind him no suspicion of his
purpose. Upon arriving at the capital, he acquitted himself scrupulously
of his official duties, but every leisure moment was consecrated to
visiting the museums and exhibitions. He saturated himself with the
wealth of beauty strewn broadcast through the Louvre, and was thrilled
with admiration at contact with the masters of every school and country.
He did not care equally for them all, in spite of their genius; his
intimate preferences leaned to the side of Flemish rather than Italian
art; but he was not insensible to the lofty inspiration, the severe
harmony, the faultless composition, which have made the great masters of
the Renaissance the most astonishing prodigies in the history of
painting.
Public-domain text, read in full here on John Shaqi.
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