“I am, Knox. I can only suppose that he proved to be immune. You recall
his statement that he made an almost miraculous recovery from the fever
which attacked him after his visit to the Black Belt? This would seem to
point to the fact that he possesses that rare type of constitution which
almost defies organisms deadly to ordinary men.”
“I see. Hence the dagger and the rifle?”
“So it would appear.”
“But, Harley,” I cried, “what appalling crime can the man have committed
to call down upon his head a vengeance which has survived for so many
years?”
Paul Harley shrugged his shoulders in a whimsical imitation of the
Spaniard.
“I doubt if the feud dates any earlier,” he replied, “than the time of
Menendez’s last return to Cuba. On that occasion he evidently killed the
High Priest of Voodoo.”
I uttered an exclamation of scorn.
“My dear Harley,” I said, “the whole thing is too utterly fantastic. I
begin to believe again that we are dealing with a madman.”
Harley glanced down at the wing of the bat.
“We shall see,” he murmured. “Even if the only result of our visit is to
make the acquaintance of the Colonel’s household our time will not have
been wasted.”
“No,” said I, “that is true enough. I am looking forward to meeting
Madame de Stämer--”
“The Colonel’s invalid cousin,” added Harley, tonelessly.
“And her companion, Miss Beverley.”
“Quite so. Nor must we forget the Spanish butler, and the Colonel
himself, whose acquaintance I am extremely anxious to renew.”
“The whole thing is wildly bizarre, Harley.”
“My dear Knox,” he replied, stretching himself luxuriously in the long
lounge chair, “the most commonplace life hovers on the edge of the
bizarre. But those of us who overstep the border become preposterous
in the eyes of those who have never done so. This is not because the
unusual is necessarily the untrue, but because writers of fiction have
claimed the unusual as their particular province, and in doing so have
divorced it from fact in the public eye. Thus I, myself, am a myth, and
so are you, Knox!”
He raised his hand and pointed to the doorway communicating with the
office.
“We owe our mythological existence to that American genius whose
portrait hangs beside the Burmese cabinet and who indiscreetly
created the character of C. Auguste Dupin. The doings of this amateur
investigator were chronicled by an admirer, you may remember, since
when no private detective has been allowed to exist outside the pages of
fiction. My most trivial habits confirm my unreality.
Public-domain text, read in full here on John Shaqi.
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