A very surly-looking girl, quite obviously un-English (a daughter of
Pedro, the butler, I learned later), opened the gates, and we entered
upon a winding drive literally tunnelled through the trees. Of the house
we had never a glimpse until we were right under its walls, nor should
I have known that we were come to the main entrance if the car had not
stopped.
“Looks like a monastery,” muttered Harley.
Indeed that part of the building--the north front--which was visible
from this point had a strangely monastic appearance, being built of
solid gray blocks and boasting only a few small, heavily barred windows.
The eccentricity of the Victorian gentleman who had expended thousands
of pounds upon erecting this house was only equalled, I thought, by that
of Colonel Menendez, who had chosen it for a home. An out-jutting wing
shut us in on the west, and to the east the prospect was closed by the
tallest and most densely grown box hedge I had ever seen, trimmed most
perfectly and having an arched opening in the centre. Thus, the entrance
to Cray’s Folly lay in a sort of bay.
But even as we stepped from the car, the great church-like oaken doors
were thrown open, and there, framed in the monkish porch, stood the
tall, elegant figure of the Colonel.
“Gentlemen,” he cried, “welcome to Cray’s Folly.”
He advanced smiling, and in the bright sunlight seemed even more
Mephistophelean than he had seemed in Harley’s office.
“Pedro,” he called, and a strange-looking Spanish butler who wore his
side-whiskers like a bull fighter appeared behind his master; a sallow,
furtive fellow with whom I determined I should never feel at ease.
However, the Colonel greeted us heartily enough, and conducted us
through a kind of paved, covered courtyard into a great lofty hall.
Indeed it more closely resembled a studio, being partly lighted by a
most curious dome. It was furnished in a manner quite un-English, but
very luxuriously. A magnificent oaken staircase communicated with a
gallery on the left, and at the foot of this staircase, in a mechanical
chair which she managed with astonishing dexterity, sat Madame de
Stämer.
She had snow-white hair crowning the face of a comparatively young
woman, and large, dark-brown eyes which reminded me strangely of the
eyes of some animal although in the first moment of meeting I could not
identify the resemblance. Her hands were very slender and beautiful, and
when, as the Colonel presented us, she extended her fingers, I was not
surprised to see Harley stoop and kiss them in Continental fashion;
for this Madame evidently expected. I followed suit; but truth to tell,
after that first glance at the masterful figure in the invalid chair I
had had no eyes for Madame de Stämer, being fully employed in gazing at
someone who stood beside her.
Public-domain text, read in full here on John Shaqi.
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