Short stories, English; World War, 1914-1918 -- Fiction
The last cavalrymen, left at the entrance of the village until the
column should have cleared it, passed along the street, turning in
their saddles to look at the empty road behind them. The sentries at
the inn mounted and trotted quickly forward to rejoin their ranks.
The last man passed out of sight. The village street seemed strangely
empty in the absence of the floods of men that had been pouring through
it, with but little interruption, for many hours. Only the rhythmic
tramp of the infantry upon the road, pulsating through the air like
the audible systole and diastole of some mighty heart, and fading with
every moment, remained like a reminiscence of the army. Presently that,
too, ceased. Silence brooded over the houses whose outlines were
rapidly blurring with the oncoming night, a silence broken only by the
melancholy ululations of an owl that ventured to scour the deserted
street.
That owl was baulked of its stoop by a sudden human utterance in a
Cockney voice.
"It's all right, Bill--they've gone."
The figure of a man was dimly defined in the doorway of one of the
cottages. He turned to answer a question.
"Yus. The 'ole bloomin' lot. Rearguard an' all."
The figure in the doorway was joined by another from the dark interior
of the cottage, and the pair slunk cautiously into the street and
looked up and down.
"We've done it, Sam," said the man addressed as Bill.
"Yus," replied Sam, peering around him under a frown from heavy brows.
"Now for that public--me ole Gawd-lummy ain't 'ad nothin' in it fer a
week."
"'Struth!" said Bill, stretching himself. "I ain't 'arf stiff wiv
standin' in that poky little cupboard."
"Not so stiff as those poor blighters 'll be to-night," said Sam, with
a thought of his marching comrades. "Now--right wheel! March! An'
see that you've got a cartridge in yer rifle," he added in a tone of
authority. It was evident that he was the leading spirit.
There was the metallic click of a cartridge inserted into the breech
and then both men crept furtively in the shadow of the cottages towards
the inn. The hanging sign of the house was silhouetted black against
the sky just above their heads, when Sam stopped suddenly, pointing his
rifle into the gloom.
"'Alt! 'Oo goes there?" he cried; under his breath he blasphemed
rapidly, ferociously; the blasphemy of a man whose nerves are chaos,
his speech-centres out of control. A shadowy figure moved in the
darkness. "'Ands up--or I fire!" shouted Sam, the menace rising harshly
out of his muttered vituperation.
A pitiful voice replied from the obscurity. Its panic expressed itself
in a thin rising inflection that became almost a squeal.
"Don't shoot!--don't shoot!"
"Come out into the road," commanded Sam. "Cover 'im, Bill," he added.
The figure obeyed, was now slightly more visible against the light
reflected from the white road.
"What are you doin' 'ere?" asked Sam.
The voice became rapid in nervous explanation.
Public-domain text, read in full here on John Shaqi.
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