Short stories, English; World War, 1914-1918 -- Fiction
They brought in the dead man.
"H'm," said the Medical Officer, looking at him. "Cerebral hæmorrhage.
This intense cold---- I was always rather afraid of a lesion. A nasty
shock for you, Sister. Well, well, another one finished--very sad, very
sad."
An orderly brought Sister Braithwaite her share of the just arrived
post. There was a letter from Ronald's mother. It enclosed one from the
War Office.
"Dear Madam," it ran. "It is regretted that no further details have
come to hand regarding your son. Officially he is still posted as
'missing, believed killed.'"
Sister Braithwaite shut herself in her cubicle, talked to the
photograph with the vivid eyes, talked to it as primitive woman talks
to the lover who has destroyed his rival. She reached out to the Other
Side.
NA NOS!
(_A study of Serb infantry in battle, 1914_)
There is no moon. In black darkness a long file of men stumbles up a
stony gully. Precipitous rock-walls keep them to the bed of a vanished
stream, where they trip in succession over the same loose boulders.
Their curses are hushed instantly by voices not less authoritative
because they bark in whispers. Wrapped in long sheepskin coats the
figures pass like ghosts of an antique time, whose grimness is
accentuated by the incongruity of modern rifles with fixed bayonets
that glint under the myriad stars. Presently the head of the file halts
in what seems a black pit, the edge of which cuts sharply against
the star-powdered bluish darkness of the sky. Those behind arrive
continuously, collect in the hollow, are formed into ranks by sergeants
who bully _sotto voce_ like angry conspirators. The company commander
is crawling on hands and knees up the wall of the hollow, which is not
so precipitous as it appears in the darkness.
The captain peers cautiously over the crest. He sees only blackness
which rises all around him from an abyss that reflects no ray in its
profundity, and blots out the stars high in the sky with irregular
cones and shapeless masses of inky night. From those mountains a
wind blows chilly on his face. He fixes his gaze upon a point in the
blackness far across the gulf. The point is decided upon after careful
reference to a phosphorescent compass in his hand. He stares at this
blank darkness until it almost seems that he must be staring against
closed lids.
Public-domain text, read in full here on John Shaqi.
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