The father's eyes said: "How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls." The boy's eyes said: "How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter." As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: "Those people are insupportable to me with their staring saucer-eyes! Couldn't you tell the head waiter to send them away?" So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love! V WINDOWS He who looks in through an open window never sees so many things as he who looks at a shut window. There is nothing more profound, more mysterious, more fertile, more gloomy, or more dazzling, than a window lighted by a candle. What we can see in the sunlight is always less interesting than what goes on behind the panes of a window. In that dark or luminous hollow, life lives, life dreams, life suffers. Across the waves of roofs, I can see a woman of middle age, wrinkled, poor, who is always leaning over something, and who never goes out. Out of her face, out of her dress, out of her attitude, out of nothing almost, I have made up the woman's story, and sometimes I say it over to myself with tears. If it had been a poor old man, I could have made up his just as easily. And I go to bed, proud of having lived and suffered in others. Perhaps you will say to me: "Are you sure that it is the real story?" What does it matter, what does any reality outside of myself matter, if it has helped me to live, to feel that I am, and what I am? VI CROWDS It is not given to every man to take a bath of multitude: to play upon crowds is an art; and he alone can plunge, at the expense of humankind, into a debauch of vitality, to whom a fairy has bequeathed in his cradle the love of masks and disguises, the hate of home and the passion of travel. Multitude, solitude: equal terms mutually convertible by the active and begetting poet. He who does not know how to people his solitude, does not know either how to be alone in a busy crowd.