Baudelaire: His Prose and PoetryBaudelaire, Charles
General
Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
Nevertheless, to a discerning eye, his emotion was not unmixed. Did
he feel himself conquered in his power as despot? humiliated in his
art as the striker of terror into hearts, of chill into souls? Such
suppositions, not exactly justified, but not absolutely unjustifiable,
passed through my mind as I contemplated the face of the Prince, on
which a new pallor gradually overspread its habitual paleness, as snow
overspreads snow. His lips compressed themselves tighter and tighter,
and his eyes lighted up with an inner fire like that of jealousy or
of spite, even while he applauded the talents of his old friend, the
strange buffoon, who played the buffoon so well in the face of death.
At a certain moment, I saw his Highness lean towards a little page,
stationed behind him, and whisper in his ear. The roguish face of the
pretty child lit up with a smile, and he briskly quitted the Prince's
box as if to execute some urgent commission.
A few minutes later a shrill and prolonged hiss interrupted Fancioulle
in one of his finest moments, and rent alike every ear and heart.
And from the part of the house from whence this unexpected note of
disapproval had sounded, a child darted into a corridor with stifled
laughter.
Fancioulle, shaken, roused out of his dream, closed his eyes, then
re-opened them, almost at once, extraordinarily wide, opened his mouth
as if to breathe convulsively, staggered a little forward, a little
backward, and then fell stark dead on the boards.
Had the hiss, swift as a sword, really frustrated the hangman? Had
the Prince himself divined all the homicidal efficacy of his ruse?
It is permitted to doubt it. Did he regret his dear and inimitable
Fancioulle? It is sweet and legitimate to believe it.
The guilty nobles had enjoyed the performance of comedy for the last
time. They were effaced from life.
Since then, many mimes, justly appreciated in different countries, have
played before the court of ----; but none of them have ever been able
to recall the marvellous talents of Fancioulle, or to rise to the same
favour.
XI
BE DRUNKEN
Be always drunken. Nothing else matters: that is the only question.
If you would not feel the horrible burden of Time weighing on your
shoulders and crushing you to the earth, be drunken continually.
Drunken with what? With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes, on the stairs of a palace, or on the green side of
a ditch, or in the dreary solitude of your own room, you should awaken
and the drunkenness be half or wholly slipped away from you, ask of the
wind, or of the wave, or of the star, or of the bird, or of the clock,
of whatever flies, or sighs, or rocks, or sings, or speaks, ask what
hour it is; and the wind, wave, star, bird, clock, will answer you: "It
is the hour to be drunken! Be drunken, if you would not be martyred
slaves of Time; be drunken continually! With wine, with poetry, or with
virtue, as you will."
XII
EPILOGUE
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