Baudelaire: His Prose and PoetryBaudelaire, Charles
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Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
"Seeing you so, my beautiful dainty one, your feet in the mire and
your moist eyes turned to the sky, as though to demand a king, one
would say indeed: a young frog invoking the ideal. If you scorn the log
(which I am now, you know), beware the stork which will kill, swallow,
devour you at its caprice.
"Poet as I am, I am not such a fool as you may think, and if you tire
me too often with your whining affectations, I shall treat you as a
wild woman, or throw you through the window as an empty flask."
THE OLD MOUNTEBANK
Everywhere the holiday crowd was parading, spread out, merry making.
It was one of those festivals on which mountebanks, tricksters, animal
trainers and itinerant merchants had long been relying, to compensate
for the dull seasons of the year.
On such days it seems to me the people forget all, sadness and work;
they become children. For the little ones, it is a day of leave, the
horror of the school put off twenty-four hours. For the grown-ups,
it is an armistice, concluded with the malevolent forces of life, a
respite in the universal contention and struggle.
The man of the world himself, and even he who is occupied with
spiritual tasks, with difficulty escape the influence of this popular
jubilee. They absorb, without volition, their part of the atmosphere
of devil-may-care. As for me, I never fail, like a true Parisian, to
inspect all the booths that flaunt themselves in these solemn epochæ.
They made, in truth, a formidable gathering: they bawled, bellowed,
howled. It was a mingling of cries, of blaring of brass and bursting of
rockets. The clowns and the simpletons convulsed the features of their
swarthy faces, hardened by wind, rain, and sun; they hurled forth,
with the assurance of comedians certain of their wares, witticisms
and pleasantries of a humor solid and heavy as that of Molière.
The Hercules, proud of the enormousness of their limbs, without
forehead, without cranium, stalked majestically about under fleshings
fresh washed for the occasion. The dancers, pretty as fairies or as
princesses, leapt and cavorted under the flare of lanterns which filled
their skirts with sparkles.
All was light, dust, shouting, joy, tumult; some spent, others gained,
the one and the other equally joyful. Children clung to their mothers'
skirts to obtain a sugar-stick, or climbed upon their fathers'
shoulders the better to see a conjurer dazzling as a god. And spread
over all, dominating every odor, was a smell of frying, which was the
incense of the festival.
At the end, at the extreme end of the row of booths, as if, ashamed, he
had exiled himself from all these splendors, I saw an old mountebank,
stooped, decrepit, emaciated, a ruin of a man, leaning against one of
the pillars of his hut, more wretched than that of the most besotted
barbarian, the distress of which two candle ends, guttering and
smoking, lighted up only too well.
Public-domain text, read in full here on John Shaqi.
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