Baudelaire: His Prose and PoetryBaudelaire, Charles
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Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
And, analyzing the details of the engraving, he continued mentally: "At
the edge of the sea, a little log cabin, surrounded by those shiny,
bizarre trees, the names of which I have forgotten ... in the air, an
indefinable, intoxicating perfume ... in the cabin, a potent fragrance
of rose and of musk ... farther off, behind our little domain,
mast-tops swaying with the swell ... around us, beyond the room lighted
by a roseate glow sifted through the blinds, adorned with fresh matting
and intoxicating flowers, with rare benches of Portuguese rococo, of
a heavy and shadowy wood (where she will rest, so calm, so gently
fanned, smoking tobacco tinged with opium), beyond the timbers of the
ships, the racket of the birds drunk with the light, and the chattering
of little negresses ... and, at night, to serve as accompaniment
to my musings,' the plaintive song of musical trees, of melancholy
beef-woods! Yes, in truth, there indeed is the setting that I seek.
What have I to do with palaces?"
And still farther, as he followed a great avenue, he noticed a
well-kept tavern, from a window of which, enlivened by curtains of
checkered prints, two laughing heads leaned forth. And at once: "My
fancy," he said, "must be a great vagabond to seek so far what is so
near to me. Pleasure and good fortune are in the nearest tavern, in the
chance tavern, so rich in happiness. A great fire, gaudy earthenware,
a tolerable meal, rough wine, and an enormous bed with cloths somewhat
coarse, but fresh; what more could be desired?"
And returning home, alone, at the hour when the counsels of Wisdom are
not drowned by the hum of external life, he said: "I have had to-day,
in my revery, three dwellings in which I have found equal pleasure. Why
constrain my body to move about, when my soul voyages so freely? And
to what end carry out projects, when the project itself is a sufficing
joy?"
THE LOVELY DOROTHEA
The sun pours down upon the city with its direct and terrible light;
the sand is dazzling, and the sea glistens. The stupefied world sinks
cowardly down and holds siesta, a siesta which is a sort of delightful
death, in which the sleeper, half-awake, enjoys the voluptuousness of
his annihilation.
None the less, Dorothea, strong and proud as the sun, advances along
the deserted street, alone animated at that hour, under the immense
blue sky, forming a startling black spot against the light.
She advances, lightly, balancing her slender trunk upon her so large
hips. Her close-fitting silk dress, of a clear, roseate fashion, stands
out vividly against the darkness of her skin and is exactly molded to
her long figure, her rounded back and her pointed throat.
Her red parasol, sifting the light, throws over her dark face the
bloody disguise of its reflection.
The weight of her enormous, blue-black hair draws back her delicate
head and gives her a triumphant, indolent bearing. Heavy pendants
tinkle quietly at her delicate ears.
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