Baudelaire: His Prose and PoetryBaudelaire, Charles
General
Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
Where do the dogs go, you ask, heedless men? They go about their
business.
Business engagements, affairs of love. Through the fog, through the
snow, through the mire, under the biting dogstar, under the streaming
rain, they come, they go, they hurry, they move along under carriages,
excited by fleas, by passion, by duty or by need. Like us, they have
risen bright and early, and they seek their livelihood or run to their
pleasure.
There are some who sleep in a ruin in the suburbs and who come every
day at a stated hour, to beg alms at the door of a Palais-Royal cook;
others who run in troops, for more than five leagues, to partake of
the repast which has been prepared for them through the charity of
certain sexagenarian maids, whose unoccupied hearts are given over to
beasts, since imbecile man wants them no more; others who, like runaway
negroes, frantic with love, leave their province on certain days, to
come to the city and romp for an hour with a handsome bitch, a little
careless in her toilet, but proud and thankful.
And they are all very precise, without notebooks, without memoranda,
without portfolios.
Do you know slothful Belgium, and have you, like me, admired all those
vigorous dogs hitched to the cart of the butcher, of the milkmaid, of
the baker, who give evidence in their triumphant barks, of the proud
pleasure they feel in rivalling the horse?
And here are two that belong to a still more civilized order! Permit
me to introduce you into the room of an absent mountebank. A bed, of
painted wood, without curtains, with dragging covers stained with bugs;
two cane chairs, a cast-iron stove, one or two disordered musical
instruments. Oh, what sad furniture! But look, I pray you, at these two
intelligent personages, clad in garments at once sumptuous and frayed,
hooded like troubadours' or soldiers, who are guarding, with the close
watch of a sorcerer, _the nameless something_ which simmers on the
lighted stove, and from the center of which a long spoon stands forth,
planted as one of those aerial masts which announce that the masonry is
complete.
Is it not just that such zealous comedians should not set out without
having well lined their stomachs with a strong, sound soup? And will
you not forgive a little sensuality in these poor devils who all day
have to face the indifference of the public and the injustice of a
director who deems himself the whole show and who alone eats more soup
than four actors?
How often have I contemplated, touched and smiling, all these
four-footed philosophers, compliant, submissive or devoted slaves,
whom the republican dictionary might well call "fellows,"[1] if the
republic, too busied with the _happiness_ of men, had time to respect
the _honor_ of dogs!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account